Mario Nazoa

Salserín, la primera vez, candidly recounts a story of teenage love framed in the genesis of a salsa band that was once a musical phenomenon in the mid-nineties.

Two sides of the same country: a chaotic and violent city contrasting against a natural paradise where the oldest mountains on the planet can be found. Two main characters that find each other at a crucial moment. Two fearless journeys, one that begins as a childlike adventure and ends up on the other side of the country and a one-way journey, free and determined. The same destiny will inevitably bond a woman with her grandson. Without knowing it they are part of an unbreakable family circle that deeply unites them. Second opportunities will arise while individual freedom of choice will become imposing. Everything comes together to tell us: there is only one destiny, the one you choose for yourself.

Jose lives with his family in La Soledad, a dilapidated villa located in what used to be one of Caracas' most affluent neighborhoods. After learning that the owners are planning to sell the property, Jose seeks any solution that might keep his young daughter from growing up in the city's crime-sodden slums.

The film follows the rise to fame of venezuelan singer Felipe Pirela. From the beginnings when he worked alongside Billo Frometa and his band Billo's Caracas Boys to the days of his death at the hands of a drug dealer.

Anita Camacho, an ambitious maid poses as the owner of the house where she works in order to seduce a man of money, marry him and finally stop being poor.

When the corpse of mobster Miguel "el chino" Sanabria surfaces, everyone thinks his death is the result of an argument during the heat of the moment. That is, everyone except Officer Ferran (Victor Mayo), who believes something more menacing was at fault. Along with Picasso (Juanko Vellido), the last person to see Sanabria alive, Ferran sets out to find the truth behind the murder -- and learns something about his own destiny in the process.

This is the story of two teenage women affected by violence and the painful journey to become full and liberated. One, Maruja is a young rape victim. The other Carmen Luisa is beaten by violence within her own family.

1780, a group of slaves flee from a sugar cane hacienda. As they are pursued by Don Manuel Aguirre, obsessed landowner who has fixed his eyes on Azu, the beautiful slave with an ancestral destiny.

Ricardo Azolar is looking for the right words, the exact phrases that will give him literary glory. The days are sterile and lacking in those brilliant ideas that should allow him to express through narrative, the fertile flow arising from the imagination. Until he meets Lisbeth, venus and intoxicating muse who nevertheless compels him to write irrelevant and devoid of any imagination literary texts.

Five seniors decide to escape the asylum where they live, after one member of their group passes away. They decide to steal her ashes and risk it all escaping in an old convertible by the roads of Venezuela to fulfill her last wish. Persecuted by their relatives, they will live a great adventure.

Directed by Alfredo Anzola, Manuel (1979) is a Venezuelan drama that explores themes of love, faith, and resistance. The story follows Aparicio and his wife, Alma Rosa, as they welcome a new priest, Manuel, to their coastal village. As Manuel becomes acquainted with the community, he discovers that the village is slated for demolition to make way for a tourist development. Deeply moved by the villagers' plight, Manuel joins the local fishermen in their struggle to defend their land. During this time, he also finds himself drawn to Alma Rosa, leading to personal and moral dilemmas. The developers, aware of Manuel's growing influence and his feelings for Alma Rosa, begin to monitor his actions closely. The film delves into the complexities of human relationships and the fight against displacement.

In 16th-century Spanish America, a Dominican friar named Santiago survives a brutal expedition and is absorbed into a Carib tribe. When he flees tribal conflict only to be captured by Spanish forces accused of heresy, he is forced to confront the clash between his ideals and the violence of conquest.

In Secretaries Day, either you get laid or you get paid.

Beginning with his childhood and covering the many facets that characterized his intellectual universe, this documentary details the different aspects of the most important venezuelan writer of the 60s, 70s and 80s: José Ignacio Cabrujas.

Alexander and her friend Diosa start working in a furniture store, Alexander suspects that the owner is involved in a murky business.

Film by Olegario Barrera.

It records the tour of the legendary Mexican guitarist Carlos Santana in Latin America.

“Nude with Oranges” is a film set during a civil revolt in the mid-19th century where Caribbean myths affect the lives of two characters – an indigenous man enlisted in the Liberal Army and a mute white woman – who develop a mysterious link while seeking a new life.