Pedro Durán

¡Válgame Dios! is a Spanish-language Venezuelan telenovela written by Mónica Montañéz for Venevisión. Sabrina Seara and Eduardo Orozco star as the main protagonists while Ricardo Alamo, Carlota Sosa and Raquel Yanez star as the main antagonists.

No description available.

Fidel, a deaf mugger, sees the possibility of a new life after he start attending to a school for the deaf. However his chances are getting shorter as the a police officer is after his trail.

Carmen is a beautiful woman working in a business that is dedicated to smuggling. One day, Carmen fights and hurts to a smuggler woman, so a sergeant in the National Guard, José Navarro, stops detain her. In doing so he also falls in love with her, but jealousy will destroy his passion.

Ingrid is a young high school student who due to the impact suffered by the death of his mother, is acting strangely causing concern to her teachers. After a landslide caused by heavy rains, police surrounded the premises of the high school to expel the refugees resulting in the classes suspended.

TAITA BOVES chronicles a thirst for revenge that devastated a country. It tells the true story of Jose Tomás Boves, a cruel man who became a legend during the Venezuelan War of Independence, the most violent in the Americas. He went from seafarer to pirate, horse smuggler to prosperous merchant, prisoner to military chief. Spanish by birth, he spearheaded a grass roots troop of slaves, mulattoes, Indians and mestizos that crushed Simón Bolívar and his patriot army. Respectfully referred to as "Taita" by them, he fought for the underprivileged and the poorest of the poor, and curtailed three centuries of order in this colonial region. This film is about his passions and power, his loves and misadventures, and a bloody saga that rocked Venezuela.

1780, a group of slaves flee from a sugar cane hacienda. As they are pursued by Don Manuel Aguirre, obsessed landowner who has fixed his eyes on Azu, the beautiful slave with an ancestral destiny.

Under the command of the Liberator Simón Bolívar, on June 24, 1821, the patriotic army fought to the death against the forces loyal to the Spanish crown with the goal of achieving, at all costs, the independence of Venezuela.

Ramiro is a ringleader of a gang of drug traffickers that in order to introduce a new drug, called Night Music (Música Nocturna), must eliminate Aurelio, the biggest drug lord. To implement his plan, he use his friend Daniel has bait who has a close friendship with Aurelio. Ramiro succeeds, murders Aurelio and proposes Daniel to participate in the drug business.

Commissioner Leon (Miguel Angel Landa) investigates the murder of a woman in a population near the capital. The woman was raped before death and the case is complicated when his brother becomes the prime suspect, since it is a priest (Eduardo Serrano). Because of the implications that inquiries might have, Leon is pressured to keep the event as a "crab" (Cangrejo, or a unsolvable case), but he decides to comply with the law.

The film tells the story of Fernando Quintero (Gustavo Camacho), revolutionary leader who, after the fall of the dictatorship of Marcos Perez Jimenez, ascends to power, betraying their ideals to become an accomplice of repression against whom he fought.

"Hijos de la tierra" presents a drama set a little before the 1920s, in which scattered news, stories and rumors spread the presence of a new wealth, oil, leading to the suspicion that a great change was about to take place.

A woman working in a caribean Cabaret meets a man in the harbour that just went out of jail. They recognise in each other common feelings of rage and fury and then they fall in love in a story without words.

Trino, Nerio, and Alfonso are poor chamber musicians trying to survive by playing wherever they can. During a general's funeral, the musicians try to play funeral music, but the screams of one of them, who thinks he's seen the deceased's hand move, cause such a commotion that the participants run away in terror.

Commissioner Leon (Miguel Angel Landa) of the Technical Judicial Police is assigned to the kidnapping of a child of the upper class of Caracas. The details of the kidnapping the attention of Leon, as there is no evidence of violence in the child's home, or witnesses to the abduction. Based on that Leon believes that the hijackers knew the boy and soon begins to suspect several young people from wealthy families of Caracas.

It tells the life of the Venezuelan singer-songwriter Alí Primera and the events that made him the voice most committed to his people's causes and the movement's leader for the necessary song. It is a story of great love, tragedies, and songs.

Anita Camacho, an ambitious maid poses as the owner of the house where she works in order to seduce a man of money, marry him and finally stop being poor.

A beautiful seductress draws a man in the midst of a mid-life crisis into a sordid world of drugs, crime, and debauchery. Alejandro is down on his luck. Unemployed and loveless, he falls hard for beautiful Vanessa when fate brings the two together seemingly by chance. But Vanessa's boyfriend is a hit man for the mob, and despite at first feeling swept up in circumstances beyond his control, Alejandro soon realizes that in order to regain his confidence, he must embrace his destiny.

In the shantytowns of Caracas, teenage Aixa finds herself unexpectedly pregnant and trapped between conflicting forces: her grandmother Carmen, young yet matriarchal head of the sprawling family clan, desperately tries to prevent Aixa from repeating the cycle of teenage motherhood that has plagued the women in her house for generations; meanwhile Ramon, the drug-linked young father, more obsessed with the idea of a child than with responsibility, resorts to threats—“If you get rid of the baby, I’ll kill you”—to impose his will. All around Aixa, others believe they know what’s best for her—but the choice of life or death, hope or despair, remains hers alone in a world where survival is the only certainty.

Eladio is a failed actor who has spent years in obscurity working maintenance at a TV station in the capital. When he’s forced to return to Maracaibo to care for his teenage niece —a fierce, guitar-playing rebel— their worlds clash. Amid loud music, insults, and generational conflict, Eladio accidentally reinvents himself as an acting teacher… and ends up entangled with one of the city’s most notorious crime syndicates. What follows is a hilarious, heartfelt, and uniquely Latin American story about rediscovery, family, and the absurdities of adulthood —at any age.