Débora Ingrid

Russas, a small town in northeastern Brazil, is the home of Pacarrete, a grumpy retired dance teacher who dreams of getting a big shot and starring at a dance spectacle for the whole town to see. She's close to fulfilling that dream, but not without overcoming a few impediments along the way.

In a small village in the hinterland, three stories of love and desire are changing the emotional landscape of its residents. Characters of a romanesque world in which their conceptions of life are limited on one side by human instincts, on the other by a blind and fatalist fate.

In the 1932 drought of Ceará, several concentration camps were created to imprison and prevent refugees from reaching the city of Fortaleza. Remnants narrate fragments of his memories and unfulfilled regrets, witnessed in the ruins of concentration camps and in the cult of the “souls of the dam”, resistant to the strong historical erasure.

Diana's family produces coconut sweets. João gathers the coconut and Diana and Lucia make the sweets. Zacarias sells product in the city. One day, Diana goes to the river with her mother and her aunt Maria.

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A young woman, holding an important secret and refusing to bow to oppression, exposes the individual dynamics and relationships established in her family that has lived in isolation on a deserted beach for ten years.

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The suffering of the young middle-class artist is staged as a political satire with a contesting and cynical bias.

The dry quarry and a forest that still beats. A very sick father reviews the daughter. Resentments are brought to the table. The memory of the dead awakened by blood, objects, shadows and dreams affects Clarisse at this scenario of beauty and agony. Husband and business are expecting she in the city for a cathartic outcome.