Michael Achtman

Circumcision and artistic freedom concern three homosexuals, denied communication during a surreal jail stay.

Midnight cowpoke scrounges the streets of Mike Harris' mean megatropolis, looking for a good time or just a bite to eat. "Hard time living, too young to die. Lord, lord, lord: hard times town."

Perfect...a summer day, a sandbox...a meditation on the transience of consciousness.

A queer, tongue-in-cheek dissection of hip attitude, "cool" alternates between the education in pick-up technique of a naive gay man and the meditations of a recently dumped drag queen strung out all over town.

Romance gone wrong sparks this visually poetic meditation on love, promises and destruction, with reference to Mrs. Danvers, that icon of perfectly executed revenge in Alfred Hitchcock's classic Rebecca.

Based on a poem by R.M. Vaughan about the torture and murder of a Somalian teenager by members of the Canadian Airborne Regiment, this haunting work examines individual responsibility versus systemic corruption and the homophobic and racist elements central to the military enterprise.

This existential comedy tells the story of Anna, a chronically ill woman, who is visited by Doreen, a door to door proselytizer who slowly overstays her welcome. Together, they walk in the park, bake a cake and watch an Ingmar Bergman film.

A young blind woman dumps her oppressive boyfriend at the motorway service station and hitches a ride with a recovering sex-and-love addict.

"Shinto" is an examination of the meaning of objects. Do objects have powers or energies of their own? If so, can we see or feel it? While this may sound heavy and philosophical, the film is actually a lively argument between two neurotic gay men who have been together for too long. As they discuss whether or not to rid themselves of some extra junk, we watch a memory film of one of the character's childhood toy trucks being burned, and a handful of Asian film clips, meant to parody the characters' ridiculous, half understood adoption of Asian philosophy and spirituality.

Drawing on pre-biblical mythology, "flesh of my flesh" is a queer retelling of the "first" murder. Abel returns from the wars of God our Father to a bombed out and pillaged Canaan. His brother/lover Cain leads him to a barren field where, in an effort to reinstate the garden of paradise, he performs the sacrificial ritual. The consequence (for Cain and all his tribe) is banishment, to the land "east of Normal."

Tubbé describes the ongoing dissociation between two solitudes (English and French Canada) in the form of one queer-in-a-tub's reflections on his amorous escapades.

Contemplating suicide, a young gay man is heartbroken over his lost love.

A young, non-binary visitor to London returns to their Airbnb to find an older gay man has moved in. In a small studio flat over one turbulent night, Orin and Anto confront the queer generation gap and decide to make space for each other.

A response to World Catholic Youth Day and the Pope’s 2002 mass in Toronto, "save myself" is a personal meditation on faith and loss. Why does thought require words, and is anybody listening?

A woman stares at her reflection in the mirror, drawn like Narcissus to swim in her own perfection. Or did she forget to take her pills?