Léa Pool

After starting at an upmarket boarding school, a teenage girl forms close friendships with her two older roommates. However, when she discovers that her new friends are lovers she finds herself caught in a complicated situation.

Saad, a young Moroccan illegal immigrant, is planning a perilous journey to Canada with Reza, his Iranian lover. In Montreal, Saad is called upon to save his beloved from certain deportation to Iran, where inevitable punishment awaits.

During the long train ride from Montreal to Vancouver, a man and woman find themselves increasingly attracted to each other.

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The nuns of a musical convent work hard in order to prevent the religious school from closing.

Christmas approaches and the Lévesque family has once again gathered for their traditional celebration. But this time there is a mixture of emotions running through each person. The patriarch of the family suffers from a combination of Parkinson’s Disease and heart failure. His life reduced in every way, the end approaches and there are unhappy memories of his once violent and authoritarian past. But his wife, ten children and many grandchildren try to maintain a semblance of the Christmas season.

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

Based on a true story, The Blue Butterfly tells the story of a terminally ill 10-year-old boy whose dream is to catch the most beautiful butterfly on Earth, the mythic and elusive Blue Morpho. His mother persuades a renowned entomologist to take them on a trip to the jungle to search for the butterfly, leading to an adventure that will transform their lives

Jean, in his fifties, has lost his lust for life. He leaves Canada for a faraway country, somewhere in Europe. A beautiful place to end his days, he thought. But that was without counting on the formidable resilience of the inhabitants and residents of the Hotel Silence.

A coming-of-age tale centered on Hannah, a young girl who is living a troubled family life. Set in 1963, Hannah develops a fascination with Jean-Luc Godard's then-recent film "Vivre sa vie". As she begins to model herself after the film's lead role, Hannah slowly begins to explore the confusing nature of her sexuality.

Six stories about Montreal. 1: A young housewife from Toronto samples the nightlife using basic French. 2: The tale of a painting of Montreal's first mayor, Jacques Viger. 3: During a hockey game, Madeleine tries to tell Roger she wants a divorce after forty years of marriage. 4: A visitor to a conference on pictographs arrives at the airport, where the female customs officer steals a momento from each person. 5: As she is being driven to the hospital in an ambulance after an auto accident, Sarah recalls her life. 6: At a diplomatic reception, an older woman reminisces about her grand love in Montreal.

This compelling documentary explores Canadian film culture and tries to discover what defines Canadian film through interviews with notable filmmakers.

Aïcha is a troubled teenage girl who cannot forgive her mother for kicking out the stepfather she adored. Aïcha longs for him to come back and take her away. When she meets Baz, a man twice her age, it’s love at first sight for her; the real kind, the one that hurts. Baz wants to help this lost little girl, but she wants much more from him, and is ready to do anything to get it.

in the summer of 1966, in Beloeil, Québec, where a young girl named Élise is enjoying summer vacation. Summer 1966. It's time to enjoy the summer holiday, total freedom. Suddenly her mother leaves her family to pursue her journalism career in London. Her urge to leave is triggered when she coincidentally listens in on a conversation between her husband and his male lover. Her brother Coco seeks solace in the garage, building a super racing car. Her youngest brother Benoît throws himself into his own inner world. The father seems absolutely knocked out by the situation. Élise decides to take control of her family, in an eloquent attempt to save them. With the assistance of flourishing nature around her, she stands on the threshold of an incomparable summer.

As the paramedics pry her hand apart from her dead lover's grip a woman's life flashes before her eyes. Racing to the hospital the stunning skies and rooftops of Montreal from the back of the ambulance are inter-cut with the most exquisitely cinematic memories.

After the death of her father, Anne — a brilliant but emotionally unstable painter/sculptor — returns from Switzerland to her home town in Quebec. Setting up a studio, she becomes obsessed with her work, to the extent that she grows farther and farther from her Swiss lover.

Pierre is a Montreal photojournalist who returns from Nicaragua to find that his ten-year menage a trois is over. Haunted by his mid-life crisis, he becomes obsessed with trying to find out why his two lovers, Sarah and David, have left him.

Even though the protagonist of the Canadian Femme De L'Hotel is a female filmmaker, one would think twice before suggesting that this effort by Swiss-born director Lea Pool is autobiographical. Paule Baillargeon portrays a well-known director who returns to her home town of Montreal to film a high-budget musical drama. At her hotel, Paule has a brief but unsettling encounter with a suicidal elderly woman (Louise Marleau). This element of the plot is briefly forgotten as we get to know the actors in Paule's current project. Then she meets the old lady again, and with mounting incredulity Paule discovers that the actual events in the woman's life mirror the fictional events in the director's film.

Marianne, a young Canadian nurse living as an expatriate in Switzerland, is traumatized by a violent incident and becomes lost in the Alps. In time, a Swiss engineer working in the mountains discovers her; he gives her a place to stay and slowly gains her trust as she regains her health. However, he soon discovers she's wanted by the law, and circumstances become difficult for him as he tries to hide her from the authorities.

Revisiting her film set photos, director Léa Pool reflects on her prolific career. The filmmaker left Switzerland at the age of 25 to settle in Quebec and embark on a surprising career. She reinvents herself from film to film, exploring themes that deeply resonate with her: identity, exile, maternal absence, transitional spaces... In both documentary and fiction, she has directed 20 feature films that feature strong female characters and contemporary issues. Somewhere between a masterclass and an intimate conversation, this documentary invites Léa to share her cinematic journey in front of the camera.