Leo Leux

The daughter of the Parisian countess Lafitte, named "Baby", is supposed to go to an English boarding school, but she's much more interested in variety shows. Nevertheless, she travels with her friend Susette to London, who also wants to make a career for herself as a showgirl. During the journey, Baby is mistakenly considered to be a showgirl and she does nothing to dissuade two young English lords from believing so. The girls continue to live under false pretenses even when they arrive in England, with Baby being a soloist with the group "Babies" and Suzette passing herself off as the Contessa Lafitte for school exams. At the end -- a double marriage.

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Watchmaker Furchtegott Palme has three beautiful daughters. The two oldest are as good as engaged. Only Anna doesn’t seem to have a clue how to get acquainted with love. And who would be the right one for that? Her boss, Dr. Hartwig, who invited her to a party or perhaps Fink, the cousin of her friend Mona, whom Anna is supposed to pick up from the rail station? Anna, however, picks up the wrong guy at the rail station, but who seems perfect for her. But then, he disappears again. A pity, Anna thinks. And she ends up at Dr. Hartwig’s party, too. When she shows up all fancy and such for the party, he’s still with General Director Schroll working on an important contract. The next day, Anna meets the “wrong cousin” again. He’s Will Uders, a young and attractive lawyer. This time, Anna’s not letting him get away.

The famous tightrope artist Truxa is drinking at the Artisan bar in New York. He meets a young man, Husen, and gives him his stage name Truxa. He is to take the real Truxa's place at a circus show in Wintergarten, Berlin.

Amy Dorrit spends her days earning money for the family and looking after her proud father who is a long term inmate of Marshalsea debtors' prison in London. Amy and her family's world is transformed when her employer's son, Arthur Clennam, returns from overseas to solve his family's mysterious legacy and discovers that their lives are interlinked.

Susanne Braun is keen to meet her father who she has never seen, but who supports her financially. She visits the Berlin lawyer who oversees the monthly maintenance payments, but he sets her on completely the wrong track. Consequently she encounters several potential fathers.

Marianne is an accountant, but since she is so pretty the employment agency sends her to the theater. There, Max's gaffer falls in love with Marianne and persuades her to stay at the theater. Once he has to defend her against a professional boxer who harasses her. Although Max loses his position, but receives an offer from Box Manager Schmidtchen. When Max learns that Marianne is engaged, he goes to Schmidtchen's boxing school in Hamburg.

In the antique shop J.M. Mauritius, there’s astonishment when a young, beautiful woman, Gabriele Euler, inquires about an old fortress crest, which can be seen in the background on an old tapestry --- it’s, in fact, the same crest engraved on an old, silver jar belonging to Gabriele: a family heirloom. She discovers, that the crest is the landmark for Burg Uhlenfels. Determined to find out more about her allegedly noble roots, Gabriele takes off to explore Castle Uhlenfels … unaware it’s haunted.

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Charming Tom is pursuing fine Olivia both cheerfully and stubbornly. At first, she rejects him brutally; but then she finds pleasure in this intrusive guy, who’s following her everywhere. They spend an evening together; but afterwards, Olivia determines, that a valuable bracelet has been stolen from her. Now she thinks Tom is the infamous jewel thief, who’s been terrorizing the neighborhood.

German all-star musical from 1938 that was a big commercial success.

Sylvia has succeeded in making her son Robert a minister in the French Republic. His old servent, Gabriel, interrupts the young man during an "erotic" conference with the singer Betty. She's there, because her politically inappropriate songs is about to get her banned from the stage, which the minister would like to prevent. A fight breaks out between Robert and Gabriel and Sylvia, his mother, has to confess to Robert, that Gabriel is actually his father. When the minister once again misbehaves, this time at a ball, his servant and father Gabriel decides that the time has come to slap his son in everyone's presence. Robert is forced to resign and a journalist from the People's Front suggests Gabriel for the post of minister. - The film was classified after the end of the german third empire as a reservation film.

Capricious Lady Virginia has an unexpected double in a girl who works at a fair and wishes for a beauty salon. When the first one's eccentricities lead to her arrest, the second is paid for going to prison. There she meets Charles, Virginia's suitor. When out of jail she will have to fight not only for him but for going through with the leading role in a skating show.

Marion Austerlitz is a stubborn person, much to the chagrin of her husband, Dr. Fritz Austerlitz. There's constantly some kind of excitement going on in their house: this time, Marion takes in a barking dog, much against the wishes of her husband; that time she's harrasses the old servant; then countless traffic tickets from the police come in the mail; or high bills for extravagant huts are delivered by the mailman. Finally, Fritz blows a fuse. In the presence of his friend, Professor Endres, and Marion's mother, a big fight breaks out between the couple.

Toni van Eyck became known with her leading role in this early "Aufklärungsfilm" (education film) Gefahren der Liebe/A Woman Branded (Eugen Thiele, 1931) opposite Hans Stüwe. She played a rape victim, who finally becomes a murderess.

A sculptor, an enemy of modern art, sets an example. He sculpts a statue of Venus in the style of the Greek antiquity and buries it in a forest. When it's dug up in 1930, it's considered to be a 2 000 year old, antique statue.

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"A woman must forgive everything"- Brunhilde's parents expects her to marry Mr. Kuhn. To avoid this Brunhilde makes plans with her lover and piano teacher. She will wear the ugliest possible dress and sing horribly when she meets with Kuhn.

It’s 1910 and we’re in the duchy of Lauffenburg. Everybody is celebrating the 600th birthday of the local hero, Otto the Ironman, who in his time saved the duchy from annexation and beat the enemy so badly, that he fled ... well, that’s what it says in the history books, at least. Local gossip asserts, however, that Otto wasn’t even part of the battle and was spending his time having fun with a pretty girl. When one day a piece is introduced at the court theatre, which tells the heroic story of Otto, the director rejects the mediocre story.

Paul Beckers plays a circus performer who is mistaken for the teacher of a girls' school at his job interview.