Writing
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One family’s fight for survival in a future dystopian Madrid illustrates the disparity between two worlds separated by a fence — and so much more.
Madrid, Spain. A mysterious serial killer murders art collectors and uses their bodies to reproduce scenes from Los Caprichos, a famous series of drawings by Spanish painter Francisco de Goya.
A man which wife is filing to divorce him wins 25 million EUR in the lotto, hiding her to prevent sharing the half of the prize.
When 10-year-old Nemo's mother suddenly dies, the boy is forced to go live with his maternal uncle's family. They are cordial and treat him well, but his 12-year-old cousin, Iván, begins to tease and tell him stories about the Bogeyman and how he'll come and get him if he doesn't behave. At first young Nemo doesn't believe the stories, insisting that Iván is just making things up...
In a village in the Sierra de Madrid, a couple feels that their children, who have since moved out, have forgotten about them. To get them back, they will pretend that they have won the lottery and that they are multimillionaires.
Rosa chooses her own adventure...
They are the first and the last, those who imagine stories and give voice to the characters who live them. However, they never speak. But now, they emerge from the shadows of a poorly lit room and tell their secrets, their tricks, their influences; they tell their own story, that of those who face the blank page, the absolute nothingness; that of those who are the true authors, those who create and destroy entire universes. They are the screenwriters.
