Carl von Haartman

Two young men, one rich, one middle class, both in love with the same woman, become US Air Corps fighter pilots and, eventually, heroic flying aces during World War I. Devoted best friends, their mutual love of the girl eventually threatens their bond. Meanwhile, a hometown girl who's the lovestruck lifelong next door neighbor of one of them pines away.

When the Great War breaks out, brothers Roy and Monte Rutledge, each attending Oxford University, enlist with the Royal Flying Corps.

The director's daughter, Raila Tuulo, is the only one who has seen the burglar terrorizing the city, the mysterious "Blue Overalls," and recognizes him as Joel Ormak. Under Raila's influence, Joel gives up his wild lifestyle and his former love interest, the vampish Iris Vild. But a murder takes place at a nightclub, and the victim's last words are Joel's name. Approximately 16 minutes of footage and excerpts from the film have been preserved.

An adventuress in love with an Austrian agrees to become the mistress of a Russian officer in exchange for the release of Austrian hostages.

A French country lass Marie Ducrot, name is "mud" after she is compromised by a German soldier . Turning to religion, Banky becomes one of the "sisters in white" in the field hospitals of World War 1. THE AWAKENING was nominated by the Academy for its Art Direction in the first transitional year of the talkies. A vast number of films from this year are lost and this is no exception. No print or negative materials are known to exist at this time. William Cameron Menzies received his third nomination for this film, having received two the prior year and winning for both.

A young lady impersonates a famous sportswoman while trying to win over a man.

The heavily indebted baron Henrik von Hagen, who loves women and partying, learns that his former lover, Russian ballerina Madame Vera Vasiljevna, will be visiting Finland. They are reunited and sparks fly. But Vasiljevna's new hobby casts a shadow over their romance.

A historical drama depicting the Finnish struggle against Tsarist Russia. Opens at the Winter Palace in St. Petersburg in February 1899. Tsar Nicholas II signs the February Manifesto, the purpose of which is to abolish Finnish self-government. An act that arouse widespread opposition in Finland.