Simantini Dhuru

The film explores the campaign waged by the Hindu right-wing organisation Vishva Hindu Parishad to build a Ram temple at the site of the Babri Masjid in Ayodhya, as well as the communal violence that it triggered. A couple of months after Ram ke Naam was released, VHP activists demolished the Babri Masjid in 1992, provoking further violence.

A broad-ranging examination of Indian society, where secular rationalists are hunted down as they attempt to stem the rising tide of religious and nationalist fundamentalism.

Dalits, in the Indian caste system, belong to the lowest social sphere and are therefore subject to regular discrimination and violation of their basic human rights. Also referred as “untouchables,” this group was vindicated by B. R. Ambedkar, a Dalit who earned doctorate degrees abroad and fought for the emancipation of his people. In 1997 a statue honoring him was desecrated, unleashing the rage of the Dalit community, but instead of getting support by the authorities, ten persons were murdered. This documentary took 14 years to be made and it captures the music and poetry of this people, showing a tradition against superstition and religious bigotry that has strived since the times of Buddha.

Documentary about the nuclear sabre-rattling that has been going on between India and Pakistan. Comprised mostly of interviews with average folks on the street, the movie superbly demonstrates the gulf between the people's will and the greed of those in power.

"Narmada Diary" introduces the Narmada Bachao Andolan (the Save the Narmada Movement), which has spearheaded the agitation against the Sardar Sarovar Dam. As government resettlement programs prove inadequate, the Narmada Bachao Andolan has emerged as one of the most dynamic struggles in India today. With non-violent protests and a determination to drown rather than to leave their homes and land, the people of the Narmada valley have become symbols of a global struggle against unjust development.

Esteemed documentarian Anand Patwardhan directs a portrait of his parents, whose families were intertwined with Gandhi and India’s independence movement. His view on history extolls unity between Hindus and Muslims, a value that needs reasserting in modern politics.