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Johan Kaart

Johan Kaart

Acting

Biography

Johannes 'Johan' Kaart Jr. (1897-1976) was a Dutch actor. He started performing on stage at age 16. Together with Fien de la Mar and Jan van Ees he founded the 'Nieuwe Tooneel' theatre company in 1932. Because of his natural comedic timing, his first on-screen performance in 'De Jantjes' (released abroad as 'The Tars') made him a fan favourite and launched his succesful cinematic career.

Known For

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9.0

When Mister Vlasman gets promoted from baking bread to making macaroni, he and his wife want to enter high society. They could not be happier when a wealthy baron offers to introduce them into the high class. What they don't realise is that this was all an April Fools' prank. Unfortunately for the pranksters, things get out of hand when a real baron visits the Vlasmans. This film is presumed lost.

't Was één april

1936
April, April!
6.3

Businessman and shameless social climber, Julius Lampe, is subjected to a cruel April Fools’ Day prank when he is led to believe a noble prince intends to personally inspect his pasta factory.

April, April!

1935
Kleren maken de man
8.0

A secret document, a stolen dress suit, two dimwitted crooks, the love of a man for a woman. It all results in a roller coaster ride for a young insurance agent.

Kleren maken de man

1957
Ciske the Rat
6.4

“Ciske de Rat” belongs to the Dickensean “little man’s hard life” model and tells a deceptively simple story about a boy in modern Netherlands. Persecution, loneliness, adults’ hostility, fear, mixture of obstinacy and tenderness, and even an imprisonment. Excellent camera movement and delicate portraying of Ciske’s fragile soul put this film out of merely historical context and ensure its place in the history of great cinema.

Ciske the Rat

1955
The Four Müllers
7.0

Several generations of Mullers go to war with each other over their family business, the main branch of which is about to go belly-up.

The Four Müllers

1935
Kermisgasten
8.0

Circus artists Jan and Annie are in possession of jewels that were - unbeknownst to them - stolen from the famous Jolly Sisters. Mistaking them for the thieves, two bumbling detectives infiltrate the Dutch theatre-life.

Kermisgasten

1936
Sterren Stralen Overal
10.0

Worried about the ‘declining morals’ of 1950s Amsterdam, taxi driver Piet Amstel decides to emigrate to Australia. The government drive to build atomic shelters and the incessant Dutch rain only strengthen his purpose, as Amstel figures sunny Australia would make a positive change for his family. But first he needs to bring his daughter and her criminal boyfriend back on the right path.

Sterren Stralen Overal

1953
A Kingdom for a Horse
7.5

Heintje Blom, a simple working woman, is told to move into a villa in a posh part of town. The inhabitants are none too pleased, but in spite of the class division a romance blossoms between the rich family’s son and Heintje’s daughter. The two families warm to each other in the end and the happy pair is united in wedded bliss. This comedy about the post-war housing shortage marked the return of the feature length Dutch film to the cinemas.

A Kingdom for a Horse

1949
De big van het regiment
9.0

Diary fragments tell of the arrival of Belgian refugees across the Dutch border in winter 1915. Reserve lieutenant Berkhage returns from the Belgian border with a refugee child. Named "Big" by the company the kid soon becomes the regimental darling.

De big van het regiment

1935
Rififi in Amsterdam
4.0

Petty criminal Bert Oliemans goes down for stealing jewellery from a former SS man. After his release he is constantly followed by police commissioner Van Houthem and a greedy gang leader, both out to get their hands on the stolen jewels.

Rififi in Amsterdam

1962
My Wife's Family
7.0

Comedy of errors centred around a piano and the baby of a servant girl whose existence is unknown to all, based on the play 'A house full of strife' by A. Duprez and A. Milo Bennet.

My Wife's Family

1935
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10.0

No description available.

Helleveeg

1920
Adieu Filippi
N/A

Filippi is a circus clown who lives a double existence: on stage he is successful and beloved, but privately he is consumed by jealousy and emotional fragility. He is in love with Arlette, a trapeze artist, but she prefers his rival Mario. When Filippi attempts to eliminate Mario, the situation spirals into tragedy, leading to Arlette’s death. Unable to cope with guilt, Filippi becomes trapped in a downward spiral of remorse, illusion, and emotional collapse. The story is largely told through flashbacks within the circus environment, blurring reality and memory.

Adieu Filippi

1968
The Tars
6.5

After serving in the Royal Navy, Manus, Toon and Dries return to Amsterdam working-class quarter 'the Jordaan'. Back home, they find out things have changed while they were gone; Manus's girl Jans has been unfaithful to him, Toon's father now rejects him on account of his dissolute life and barmaid Auntie Piet has been cooking up a scheme to ruin Dries' relationship with his girl Greet.

The Tars

1934
Malle gevallen
8.0

Three students decide to share a flat, each courting a young woman. While they pass the time teasing their rival Piet Janssen (de Klit) and nosy neighbour Mr. Smallebroek, rumours and arguments threaten to drive the boys and their crushes apart.

Malle gevallen

1934