Barbara Rosenblat

In the criminal justice system, sexually-based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories.

CIA officer Carrie Mathison is tops in her field despite being bipolar, which makes her volatile and unpredictable. With the help of her long-time mentor Saul Berenson, Carrie fearlessly risks everything, including her personal well-being and even sanity, at every turn.

Six years before Saul Goodman meets Walter White. We meet him when the man who will become Saul Goodman is known as Jimmy McGill, a small-time lawyer searching for his destiny, and, more immediately, hustling to make ends meet. Working alongside, and, often, against Jimmy, is “fixer” Mike Ehrmantraut. The series tracks Jimmy’s transformation into Saul Goodman, the man who puts “criminal” in “criminal lawyer".

Everyone knows the name Commissioner Gordon. He is one of the crime world's greatest foes, a man whose reputation is synonymous with law and order. But what is known of Gordon's story and his rise from rookie detective to Police Commissioner? What did it take to navigate the multiple layers of corruption that secretly ruled Gotham City, the spawning ground of the world's most iconic villains? And what circumstances created them – the larger-than-life personas who would become Catwoman, The Penguin, The Riddler, Two-Face and The Joker?

A crime she committed in her youthful past sends Piper Chapman to a women's prison, where she trades her comfortable New York life for one of unexpected camaraderie and conflict in an eccentric group of fellow inmates.

A look into American politics, revolving around former Senator Selina Meyer who finds being Vice President of the United States is nothing like she expected and everything everyone ever warned her about.

A British television anthology of stories, often with sinister and wryly comedic undertones, and a twist at the end. With early episodes written and presented by Roald Dahl, the series featured a plethora of big name guest stars.

When Steven Grant, a mild-mannered gift-shop employee, becomes plagued with blackouts and memories of another life, he discovers he has dissociative identity disorder and shares a body with mercenary Marc Spector. As Steven/Marc’s enemies converge upon them, they must navigate their complex identities while thrust into a deadly mystery among the powerful gods of Egypt.

Hank and Dean Venture, with their father Doctor Venture and faithful bodyguard Brock Samson, go on wild adventures facing megalomaniacs, zombies, and suspicious ninjas, all for the glory of adventure. Or something like that.

Never the Twain is a British sitcom that ran for eleven series from 7 September 1981 to 9 October 1991. It was created by Johnnie Mortimer, and was the only sitcom he ever created without his usual writing partner, Brian Cooke. Mortimer wrote the entirety of the first two series and four episodes out of six of the eighth, with the rest being mainly written by Vince Powell and John Kane. It starred Windsor Davies and Donald Sinden as rival antique dealers, and also starred Derek Deadman, Zara Nutley, Robin Kermode, Tacy Kneale, Julia Watson, Honor Blackman, Teddy Turner and Maria Charles. The title is taken from the Rudyard Kipling poem; The Ballad of East and West.

Former NYPD detective and forensic genius Lincoln Rhyme was at the top of his game until a serious accident at the hands of a notorious serial killer forced him out of the field. When Amelia Sachs, an intuitive young officer who has a gift for profiling, finds herself hot on the killer's trail, Rhyme finds a partner for this new game of cat and mouse.

Seymour Krelborn is a nerdy orphan working at Mushnik's; a flower shop in urban Skid Row. He harbors a crush on fellow co-worker, Audrey Fulquard, and is berated by Mr. Mushnik daily. One day, Seymour finds a very mysterious unidentified plant which he calls Audrey II. The plant seems to have a craving for blood and soon begins to sing for it’s supper.

Mixed Blessings is a British sitcom produced by LWT for broadcast on the ITV network between 1978 and 1980, It was created by comedy-writer Sid Green and starred Christopher Blake and Muriel Odunton. White Thomas Simpson and Black Susan Lambert are a young couple who wed without their families' knowledge, forcing them to navigate the challenges of introducing their families to their relationship. The show explores themes of cultural differences and family dynamics within the context of a mixed-race marriage.

An animated musical inspired by the classic Brothers Grimm tale, 'Jorinde and Joringel'.

When an anxiety-ridden thirty-something entrusted with watching his girlfriend’s beloved fur baby accidentally gets the dog stolen, he’s thrust on a quest through an unfamiliar city to confront his fears and retrieve the dog or risk losing them both.

Two separate people, a man and a woman, find something very stirring about the sea turtles in their tank at the London Zoo. They meet and form an odd, but sympathetic camaraderie as they plan to steal two of the turtles and free them into the ocean.

Freshly tossed into private Catholic high school by his recently divorced mother, John must go from good boy to heinous sinner when he falls for a girl who requires him to commit sacrilegious acts in order to further their relationship.

Captain S. Melly takes over as the new Commanding Officer at an experimental mixed sex air defence base. It's 1940 and England is under heavy bombardment, but the crew seem more interested in each other than the enemy planes above. Captain Melly plans to put a stop to all this, and becomes the target of a campaign to abandon his separatist ideals...

"When you get to a man in the case, they're like as a row of pins - For the colonel's lady an' Judy O'Grady are sisters under their skins." - Kipling. Polly writes for a magazine producing glamorous makeovers for young women. Befriending a member of the women's movement prompts her to re-examine her own feminist values.

The Polish city of Łódź was under Nazi occupation for nearly the entirety of WWII. The segregation of the Jewish population into the ghetto, and the subsequent horrors are vividly chronicled via newsreels and photographs. The narration is taken almost entirely from journals and diaries of those who lived–and died–through the course of the occupation, with the number of different narrators diminishing as the film progresses, symbolic of the death of each narrator.