Csákányi Eszter

Terápia is HBO Europe’s Hungarian adaptation of the Israeli award-winning TV drama series BeTipul (In Treatment), part of a series of adaptations that also includes Romanian, Czech and Polish versions. It explores one of the defining features of modern society, therapy, as seen through the eyes of a psychiatrist whose professional and personal life is on the verge of collapse.

Tony has been glowing since the day he was born and it causes him a lot of trouble. Just before the Christmas, a new odd girl with thick glasses moves into Tony’s house. Shelly has a strange way of expressing herself. Tony is fascinated by her but he is also being cautious at first. Together with Shelly’s flashlight, they explore their house and they are slowly getting to know each other. The kids have to join all their efforts to figure out who’s behind the circuit of dark cracks that sucks out all the light bulbs, even the daylight. It must be because of the ​“Spirit of the house”. A film about being different, about friendship, and first loves… But above all about light and darkness.

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Shot in B&W, Gyula Gazdag's film follows the surreal and often comic quests of young Andris, an orphan searching for a father who doesn't exist, and Orban, a government clerk who's had enough of oppressive bureaucracy.

Three women from three generations are forced together, mentored by an old diva and a transvestite, to form a band. They are successful on stage, but off of it they are not getting along at all.

A Hungarian band plays American rock & roll and blues hits with great enthusiasm and passion, but success seems to avoid them. TV and radio don't play their songs, sometimes even their crowd just sits and sips beer. Something must be done, and the band's leader (Lóránt Schuster) comes up with the big idea: write and play songs for the people about themselves and not about some exotic, but too distant people's life. "We move from Tobacco Road to Retek street." With the remains of the band and a second singer (Gyula Deák "Bill") they find what they failed to show people before. The rich new sound can finally translate the spirit of blues and rock much more than words from any dictionaries could, this is the Kőbánya blues.

A pirate radio, the girl next door, and a test of friendship.

The drama called I Love, You Love was made in 1980 but because of the absurd ideological ban, the film entered cinemas nine years later. Pišta is an unmarried man who works at a freight wagon which carries letters and parcels. Alcohol helps him to overcome his handicap of being short and not good-looking. He wishes he had a woman, but the woman he really wants, ageing Viera who reloads the cargoes, has a soft spot for another man. So, Pišta has nobody and nothing, except for senile mother who sometimes fails to recognize him. The film received Silver Bear for Best Director at the International Film Festival in Berlin.

An ambitious psychiatrist is researching a strange and unique mental state: hypermnesia, first of all because he would like to help his amnesic father. When he finds a patient with hypermnesia, he decides to take him out of the mental hospital at his own risk and study him. An unusual relationship is formed between the two men, which starts to endanger the doctor's career, his marriage and even the patient himself.

In the country reformatory school both the teacher and the children are trapped by the circumstances. From among the pupils excels Sanyi, who cannot accept the fact that his mother does not love him and he keeps on escaping after her. From among the teachers it is Mr. Csőrös who distinguishes himself by listening to the children, looking for those who escaped, Sanyi feels affection to him.

After her husband's death, Hanna Szendroy, the former primadonna, is caught in the claws of the real estate mafia. She looses her lavish home and ends up homeless at the Keleti train station. When she returns to her house, now full of homeless people moved in by the real estate mafia, an unexpected relationship brings hope into her life again.

On 6 December, Misu is hired as a Santa Claus advertiser for a department store. On that same winter day, Liza runs away from the orphanage because once upon a time, her mum promised her that when she turned 8, she would get a bicycle from Santa Claus. Liza unexpectedly walks up to Misu and asks for the bike. But Misu, the selfish bar pianist, has no intention of buying a bike, and Liza won't let him go until he gets his wish.

The sisters have been living in a Soviet barracks in Hungary for eleven years. They long to go to Moscow, but they are drawn here by habituation and inertia. Their father, the brigade commander, is dead, yet they are unable to act and prefer to remain in the closed world of the barracks. So the plot is the same, only the setting has changed.

One day, Dorka, one of the main characters in the fairy tale, goes to the market with her aunt. They buy a big chicken for the soup. The aunt sees a long-coveted white feather duster, but the vendor refuses to sell it, so the feisty aunt snatches it out of his hand and shoves it away. The spell that has kept the market peaceful is broken, and the ancient war between kofas, butchers and fishermen rages once more. Neither Minorka Vidor, a doctor of philosophy disguised as a hen, nor Emilia, a neurotic fairy godmother, can restore order until Auntie waves her feather broom again.

He starts going, carrying a dinner-can. His eyes are suddenly arrested by the breasts of the girl on the bicycle, riding towards him. Prompted by the strange movements of the girl as well as by seeing another girl in a wheel-chair, his imagination starts working. In his dream, as he follows a young woman dressed in white, he comes to a tunnel. On its wall, which is full of candles, he reads the sign, "Memories Prohibited". Yet he is still able to enter the Tunnel of Memories.

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Drop dead please! Following the sudden death of a mysterious engine driver in his sixties, the Wife, the Lover, her illegitimate Daughter and an increasing number of shady characters from his spurious past want to know the true identity of the man they loved. They are dying to know which of them was really loved by him, and where he has hidden the fantastic fruit of his double life. In their deadly struggle, our heroes find themselves in the center of a satirical crime comedy, the sinful roots of which stretch back to the eighties, the closing decade of the socialist era.

Irén and Attila, a not-so-young couple, are in love. All they want is a flat of their own where they could live together. Unfortunately, Hungary in the 70s is no place for dreams.

This grotesque, micro-realistic film is set in a small village at the end of the seventies. A TV-staff comes to the Petőfi Memorial House. They want to record the comic opera, The Postman of Longjumeau, by Charles Adam, a 19th century French composer.

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