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Series about the life of Renaissance anatomist, scholar and politic Johannes Jessenius. Already legendary series today, was produced by Czechoslovak Television Bratislava, directed by Slovak director Miroslav Luther in the first half of 80's in Barrandov Studios in Prague. The story and screenplay of the series wrote Czech writer Vladimír Körner. Five-episodes epic historical narration is a biographical story of distinguished Renaissance scholar, anatomist and politic of Slovak origin, Johannes Jessenius (Ján Jesenský, 1566–1621). It displays his life from the first studies and successes. In 1594 he became professor of surgery and anatomy on Wittenberg University, which he had attended years before. From that moment, his life went through social and personal wins and losses, to the sad end on the Prague Old Town Square gallows, among 27 noblemen, knights and burgenses, after lose Bohemian Revolt in 1621. His destiny was coupled with key events of Czech history in the break of 16th and 17th century, when Renaissance and European humanism slowly fade out.
Spadla z oblakov is a Slovak language sci-fi TV series for children created in year 1978. The series became very popular in Czechoslovakia and several other countries. The series was based on 1967 child book Spadla z nebe by Václav Pavel Borovička, a Czech writer and screenwriter. The first, very successful edition was followed by several reprints, the last in year 2000. The TV series follows the book quite closely.
A funny story about a little girl Kate and her summer adventures.
A funny story about a little boy everybody call Pipo and his summer vacations in the village.
Miniseries based on a 1914 historical novel by the German writer Ludwig Ganghofer - The War of the Oxen - set against the backdrop of the War of the Oxen in the 1420s.
An apocalyptic story of three wars in three film tales encompassing the end of the WWI,WWII, as well as a vision of the world destroyed by nuclear weapons. This film was honored at the film festivals in Venice and Sorrento. Immediately after that the copy with Italian subtitles was locked in a safe as evidence of the anti-communist activities of the director, who used real footage of the Soviet invasion.
