Acting
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A man trying to get in touch with his past is confronted with the realities of his nation's future in this drama. Andreas (Giorgos Dialegmenos) is an elderly man who finds himself caught in a wave of nostalgia about the home where he grew up with his mother. Andreas decides to travel to the Greek island where he and his mother lived in hopes of visiting his boyhood home, but he soon discovers that things have changed a great deal over the years; many familiar landmarks are gone, and no one on the island is terribly interested in helping him find his way. After much searching, Andreas thinks he's found the place where he grew up, only to discover the house is gone, and a group of refugees have set up camp on what used to be the family's property. Efimeri Poli was the first dramatic feature from director Giorgos Zafiris after helming a series of well-respected documentaries.
Stella is a beautiful young girl who dreams of becoming one day a famous singer. Her boyfriend Andreas leads a quiet life working at his small store, and doesn't approve Stella's quest for fame. When she decides to leave Athens for a singing job offered to her somewhere in north Greece, Andreas sets off on a quest to find her again and convince her to come back to him
Mentor Hasa, a senior officer of the State Security, finds himself from a "spy" into a tapped man and his life takes a dramatic turn. His last wish to his son, Martin, is that his story is told to the whole world.
The story of a couple married for 10 years who decide to end their relationship without understanding the implications of this separation for their families. The decision to separate will make them know the limits of each other and their loved ones in situations full of humor and love. Because when love is still there, nothing is impossible.
Albania in the 1960s, the city of Gjirokastra. Katya, a graduate of the Philology Department of Moscow State University, marries an Albanian, a young historian whom she met in Moscow. Soon after Katya enters into a dialogue with the dictator Enver Hoxha at an art exhibition, her husband is arrested on trumped-up charges.
Leonidas, a young, ambitious police officer, is assigned to a remote island in the Aegean Sea. He dreams of solving important crimes, but there are few to be found in the sleepy beach community where he is left to such menial chores. Each day at the town café, Leonidas and the other locals watch the beautiful Angeliki, the small islands most famous daughter, as she hosts a popular talk show on national TV. These daily rituals are shattered when the island experiences what appears to be an actual crime-the island drunk, Zacharias, is found dead at the base of a cliff. Eager to do some sleuthing, Leonidas soon finds clues that tie the victim to Angeliki, who returns to the island and joins the investigation.
During WW2 partisans try to hide from their enemies, while old villagers mourn the deceased of the war.
Petros is a gay archaeologist who experiences the naked Greek paranoia in the center of Athens. Either by choice or coincidence, he comes into contact with people who are "different": An Arab immigrant, who comes to Greece, a land of "infidels", determined to conquer it by any means; A Greek-French cello player, who is burdened by the agony of her alcoholic mother; A young Albanian pianist, who carries the curse of his own personal genius and divinity; A Greek immigrant, who was repatriated but now has nowhere to call home; A bank director, who believes everything can be bought, even love; A patrolman, who creates his own version of socio-political reality. Petros' contact with these people is in fact a traumatic experience. For each encounter he has to pay a price. Sometimes the price is material, while other times it's emotional. At times it is both. Will the experience gained make up for the loss?
This Greek-Bulgarian-Cypriot co-production depicts the plight of Albanian illegals in Athens and its Piraeus port. Greek intellectual Christos (Akis Sakellariou) unintentionally falls in with a streetwise group of manipulative Albanian scam artists, including Victor (Armando Dauti) Omer (Laert Vasili) and Fuad (Muzafer Et' Hem Zifla). Minus papers, they are nevertheless successfully able to get by in Greece. Eventually, Christos takes a trip to the Albanian village where the duo grew up amid murderous blood feuds.
The events take place in a small Albanian village, around the '30ies. This isolated land, dominated by rituals and patriarchal relationships is the spirit that welcomes the newborn child of Abas. Servet, a co-villager, emigrant in the United States of America comes back in his homeland bringing a new vision and a new mentality, which serves as an inspiration for the 10 years old boy, Gjoleka, the son of Abas. Gjoleka founds himself in between of the ideas of his wild father, Abas and his illuminist godfather, Servet. Gjoleka symbolizes the young generation in the difficult realities that offer small and underdeveloped countries, where the outside world constitutes an irresistible attraction. The movie shows with a deep realism the human relationships, such as love, jalousie, hate, the impossibility to be integrated with another world, making this way a cruel autopsy of the weird society to which, "sometime" we belong.
