Eko Kristianto

A young woman returns to her hometown after being away for years. However, her homecoming reopens old wounds and triggers a series of strange events that slowly engulf the villagers in suspicion and fear.

After accidently killing her temperamental father in order to save her mom from his abuse, Viki flees from Medan to Jakarta with her autistic brother, Ara. To make ends meet in Jakarta, Viki poses as a transvestite and works as a striptease dancer. With no one to watch over her brother, Viki brings Ara every night to the club where she works and hide him in one corner of the room at the club. One day, Ara accidently witnesses an act of murder by Haryo, son of an official, and his friends. Realizing his crime action witness by Ara, Haryo and his friends chase Viki and Ara, determined to silene the two before they go to the police. For the sake of saving his brother’s life, Viki secretly flee from one place to another in order to escape Haryo and friends. Will Viki and Ara escape?

When lifelong friends Keke, Gwen, and Olin embark on a quest for love by making a pact to find boyfriends, their tight-knit bond is put to the test.

After graduating from a famous Islamic school, Ahmad has a plan to continue his study in Cairo, Egypt to become a preacher. Everything seems on the track until his father passes away and mandates Ahmad to continue their family business.

A love-themed anthology adapted from the music album of the same title by Dewi "Dee" Lestari.

Behind the Scenes of Dilan (Di Balik Layar Dilan) is an approximately 75-minute observational documentary that captures Ariel NOAH’s journey as he is entrusted with the role of the adult Dilan—a decision that immediately sparked public debate. Amidst the commentary, expectations, and the weight of nostalgia attached to the figure of Dilan, the film goes beyond simply observing the acting process; it dissects how a fictional character transforms into a collective memory contested by many. From Bandung as the birthplace of the myth, through intimate reading rooms, to the final day of shooting, the documentary follows Ariel's transformation as a human being, a public figure, and a new vessel for an icon. Ultimately, the film poses one profound question: when a myth changes bodies, who is truly being tested—the actor, the character, or the audience's own memory?

After daring to sit in a cursed theater seat during a screening of the horror film Jelangkung, Yodi begins to experience terrifying supernatural events. With no one believing him, he must confront his fears — and the spirits — by playing the very game that unleashed them.

Bagas has always loved Alexandria but never found the courage to tell her. When his best friend confesses first, he’s left wondering if he’s lost his chance forever.

No description available.

A playboy's encounter with a woman in the National Library's elevator gets complicated. His invitation to the next meeting was accepted with the riddle she gave him. The answer to the riddle is the time and place of their next meeting.

It all starts when Rea invites her boyfriend Zacky to play jelangkung. Her friend scold at her for doing this but it is too late, calamity already begins. A spirit is haunting them and Rea tries to find a way to get rid of it. They go to see a paranormal, and they are told that the only way to get rid of the spirit is by pulling up a jelangkung doll that is planted one year ago in Angker Batu.

No description available.

Asmara is lucky to be married to Diana Wulandari, who is beautiful and wealthy. Inheritance lies ahead of him. But Asmara easily attracts women, as well as the sexy Diana Dwiyana. Soon, Diana becomes pregnant and asks Asmara to take responsibility. Apparently, she is the sister of an army colonel who would seek violent justice against him. But Diana Wulandari is also pregnant. As a gift, his father-in-law registers a new company and gives it to Asmara. Then Diana Dwiyana threatens to tell his wife of their affair. Terrified, Asmara hires Bakri, a hit man, to get rid of Diana Dwiyana. Then he disappears. During his flight, he meets a thug who tells him that the safest place to hide is in the prison. So Asmara makes trouble to go to jail. Due to his wit, Asmara even creates a new business inside prison and becomes the favorite inmate.

Syahlevi, a workaholic neglecting his personal life, contends with his mother's nagging efforts to encourage him to settle down and marry.

Little Samihi becomes close friends with a local Balinese child named Wayan Manik who is called Yanik.

A woman with the gift of foresight tries to prevent her fiance from meeting another woman whom he is truly meant to be with.

The first Indonesian child omnibus film who raise four stories about friendship, family, and courage.