Catarina Accioly

In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.

While waiting for her at the airport, a film critic recounts to a receptionist how he met his great love, Celeste.

Two young women retreat to a remote holiday home. While one of them undertakes a medical abortion, the other quietly cares for her. A snake slithers around them, unnoticed.

Pedro has taken the road and he does not know where he is going. Lucas does not know it either. After meeting at a roadside café, they travel through the Brazilian Savannah seeking for a violent dose of anything.

A young architect embarks on an ambitious real state development project in Brasília, convinced that he could actually help transform people’s lives and build a new form of society. But his utopia begins to fall apart when his dreams get in the way of corporate corruption and personal interests.

Stone. Metal. Fire. In the darkness of the labyrinth, a hero faces his destiny.

In a small elevator, a man and a woman prepare for a night out for two. And now? At night, anything can happen.

A librarian's strategies for silencing noisy readers are shown with horror and comedy. The setting and suspense guarantee the entertainment value of this horror short film full of frightening images.

An eccentric theater director defies old age and the illnesses of the flesh by presenting a perspective of dialogue with eternity through art and its bonds. The poetic improvisation with Hugo Rodas, a Uruguayan multi-artist who established a unique trajectory in Brazil, has intimacy as its proposal. Catarina Accioly filmed the artist for four years, until his death.