Elaine Hausman

Falcon Crest is an American primetime television soap opera which aired on the CBS network for nine seasons, from December 4, 1981 to May 17, 1990. A total of 227 episodes were produced. The series revolves around the feuding factions of the wealthy Gioberti/Channing family in the Californian wine industry. Jane Wyman starred as Angela Channing, the tyrannical matriarch of the Falcon Crest Winery, alongside Robert Foxworth as Chase Gioberti, Angela's nephew who returns to Falcon Crest following the death of his father. The series was set in the fictitious Tuscany Valley northeast of San Francisco.

Theorizing that one could time travel within his own lifetime, Dr. Sam Beckett stepped into the Quantum Leap accelerator and vanished... He woke to find himself trapped in the past, facing mirror images that were not his own and driven by an unknown force to change history for the better. His only guide on this journey is Al, an observer from his own time, who appears in the form of a hologram that only Sam can see and hear. And so Dr. Beckett finds himself leaping from life to life, striving to put right what once went wrong and hoping each time that his next leap will be the leap home.

Hotshot plastic surgeons Dr. Sean McNamara and Dr. Christian Troy experience full-blown midlife crises as they confront career, family and romance problems.

Robert McCall is a former agent of a secret government agency who is now running his own private crime fighting operation where he fashions himself as "The Equalizer." It is a service for victims of the system who have exhausted all possible means of seeking justice and have nowhere to go. McCall promises to even out the odds for them.

Sydney is an American sitcom, starring Valerie Bertinelli, Matthew Perry and Craig Bierko, that aired on CBS in 1990.

A woman is torn between her boyfriend's ending their relationship and being separated from his young son with whom she has bonded.

William Saroyan's Pulitzer Prize-winning play revolves around the denizens of a San Francisco bar in 1939. Lonely, lovelorn, weary or cynical, the characters drift in and out of the bar and each other's lives, giving voice to Saroyan's philosophies as they randomly comment about the impending world war, the beauty of art, and traditional notions of good and evil. At least one of the relationships stands a chance of enduring: a brawny innocent named Tom is falling in love with a vulnerable young prostitute named Kitty. Saroyan himself is heard reciting the play's prologue.