FEEL IT.STREAM
?

Frank Diamand

Production

Known For

Whoever Says the Truth Shall Die
5.5

Philo Bregstein tells us this film looks at Pasolini's life and art to explain why he died. The film traces Pasolini's life chronologically - family roots, hiding during World War II, teaching, moving to Rome, being arrested and acquitted many times, publishing poems, getting into film, being provocative, and being murdered. Interviews with Alberto Moravia, Laura Betti, Maria Antonietta Macciocch, and Bernard Bertolucci are inter-cut with readings of Pasolini's poems and with clips from four films - primarily the Gospel According to St. Matthew - to illustrate his changing ideas and points of view. Bregstein makes a case for Pasolini's being lynched.

Whoever Says the Truth Shall Die

1981
The Centuries Surround Me with Fire
N/A

A documentary, originally produced for Dutch television, on the life and works of Osip Mandelstam (1891-1938), the groundbreaking Soviet poet and dissident.

The Centuries Surround Me with Fire

1976
No image
N/A

Documentary chronicling the emergence of the religious New Right in the early Eighties, when, buoyed by the 1980 election of Ronald Reagan as President, conservative politicians and organizations launched nationwide attacks on communism, homosexuality, feminism, abortion, pornography and liberal politicians. By profiling such influential figures as religious broadcaster and Moral Majority founder Jerry Falwell, anti-Equal Rights Amendment activist Phyllis Schlafly, conservative Senator Jesse Helms, right-wing direct-mail fundraiser Richard Viguerie, and John LeBoutillier (R-NY), a representative of the new conservative breed of congressmen, the video offers a provocative portrait of the roots of a powerful force in contemporary American politics

Quest for Power: Sketches of the American New Right

1983
When memory comes - a film about Saul Friedländer
N/A

When memory comes is a film about the Jewish histoirian Saul Friedländer (1932, Prague) and his endeavour to describe the extermination of the European Jews without losing nor repressing the primary feeling of disbelief. It led to a new and unique historiography that gave a voice and face to victims, bystanders and perpetrators alike.

When memory comes - a film about Saul Friedländer

2013