Jahangir Almasi

Hezar-Dastan was an Iranian epic historical drama television series from 1987, developed and directed by Ali Hatami. Hezar Dastan is considered one of the most important and most influential works of art in the history of Islamic Republic of Iran Broadcasting. The production of the show took almost 8 years, starting in 1979 and ending in 1987, during which Hatami established a large set to represent Tehran in both Qajar dynasty and World War II, retroactively creating Iran's first movie studio and backlot (named Ghazali Cinema Town). The show tells the story of Reza Khoshnevis (also known as Reza Tofangchi), and his life and entanglement with corruption in government, and trying to correct it using not conventional means. The story is split into two section and it features Iran during the turbulent times of the latter days of Qajar Dynasty and during the events of World War II and Anglo-Soviet invasion of Iran.

An Iranian villager wants to restore a nearby well in hopes of solving a water sortage, but is haunted by a local legend of a monster that drinks the wells dry.

A man decides to sell the old family house to move into a modern apartment in the suburbs, and at the same time decides to send his father to a nursing home.

The story is about two men who start their journey from Dezful to Tehran, who are on the road for two and a half months and face many challenges.

The film is about an imaginative and lively student who transforms her immediate family and surroundings when she talks herself into writing a novel.

Hunting for interesting elements for a play, a photographer meets an old man, who has just had a heart attack He tries to save the man's life. In an effort to determine the old man's identity, he is confronted with the old man nostalgic memories.

A wealthy man summons his sons and their wives to divide his inheritance among them before his death. While he is preaching to his children and daughters-in-law in the basement of the house, he dies, and at the same moment as his death, an earthquake blocks the exit from the basement.

The Legend of a Sigh is Tahmineh Milani's strikingly feminist film which draws on the literature of Azarbayejan province. The protagonist is a female novelist who experiences the lives of four women from different social strata. The film offers a fascinating portrait of a range of Iranian women and their problems

A scriptwriter who can't convince the company to produce his movie, decides to operate the story in real life.

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Two teens escape from their house and go to Bandar-Abbas because of the problems they have with their father. The father searches for them and finally manages to find their trace. So he goes to Bandar-Abbas. After a series of events, the family members become friends again and start to appreciate each other.

Morteza, a deaf child who lost his father, lives in a village with his mother. He, who is not a study student, becomes completely unmotivated when dealing with the bad-tempered school teacher. Later, when Morteza's classmates inform him of the teacher's intention to marry his mother, he becomes pessimistic towards his mother and the teacher.

Major Nabavi , an officer of the Law Enforcement Force, infiltrates a drug trafficking ring on the orders of his commander in order to report the transaction of a drug shipment.