Maureen Selwood

In Chinese New Year holidays, finding the coin inside the dumplings means having a blessed year ahead. A young woman loses a jar on her journey to a new country, which contains the lucky coins she has been collecting growing up. Her new life begins with a search to find the coin.

An animated film compiled by David Ehrlich consisting of 27 animators from different countries all explaining themselves through their animation.

This is an animated documentary about FOOD! I interviewed vegetarian, vegan, pescetarian and meat eater about their opinions about food and life choices. Then I animate real food with stop-motion technique based on the interviews. By putting the conversations in different context, the food speak for themselves.

The film, Al Tudi Tuhak, is a creation story inspired by the art and mythology of the Northwest coast people. The story involves the creator, or "The Great Father" as he whittles the world into existence. Each of his wood shavings became fish, trees, birds,... even the sun and moon.

A story of loss told through a daughter looking back on her mother’s life in rural Ireland who receives a package one day from the postman.

At the end of the workday, the women of the city head to the bathhouse.

A woman’s voice obsessively uses numbers to tell us something while handling a set of rosary beads. This allows her to keep her memories alive and to give meaning to the traces left by her life.

Inspired by the 1917 ballet, PARADE, by Satie, Cocteau and Picasso, the film takes a childhood memory of loss and uses metaphoric allusions to create a different outcome.

Cole Porter’s song from ANYTHING GOES inspired David Rosenboom to pose a new music aesthetic against the ascetic, disciplined, puritanical streak that one associates in this country with the Pilgrims. Selwood’s animation gives the music a rejuvenated sensuality and mysticism.

Revisits the forgotten characters and deserted landscapes of Robert Aldrich’s classic film noir, KISS ME DEADLY (1955). Scenes re-photographed and then drawn over to produce a commentary on the artifice of cinema and memory.

130 children along with staff and teachers worked together shooting indoors and out using stop motion techniques to make a film. The unexpected resulted as children inspired each other and the results are magical.

With minimal tools and the limitation of a single image of a woman’s head a set of pearls activates a woman’s inner drive expressing freedom of movement. Animation suggests quickly a series of possible choices. The decision is ultimately hers. An animation exploring metamorphosis accompanied with music by Meredith Monk.

A meditation on the city of Rome when the Iraq War was declared.

A woman finds a tape cassette at a yard sale. It comes with a drawing exercise, the upside down drawing lesson from DRAWING ON THE RIGHT SIDE OF THE BRAIN by Betty Edwards. The exercise becomes an obsession yet keeps the woman’s insomnia at bay. Her night visitors, animals of the night, allow her to reconnect with nature.

Jamie Maxfield's graduate thesis project in Experimental Animation at California Institute of the Arts. A Silver Medal winner at the Student Academy Awards.

Animated short.

"I think of Odalisque as my first film. It was completed after film school and I worked with just a graphite pencil, a small group of colored pencils and animation bond. It is a trilogy of amorous dreams coming from the imagination of a woman recalling her childhood, her beloved twin so difficult to separate from and becoming an adult sexual person. The aria Sempre Libera from La Triviata by Verdi opens the film and the poem Leda and the Swan by WB Yeats ends it. It was great to work with Michael Riesman who created the sound track. I loved working in NYC in those days with Robin McDaniel, Rebecca High and others." Preserved by the Academy Film Archive in 2017.

Against the backdrop of Niagara Falls the domestic space for laundry undergoes a change when a wringer washing machine confronts a woman whose instincts question its value.