Václav Koubek

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The Šumava Mountains hide buildings lost in the mountains, the Vydra River, a church, a rectory, marshes, a post office, a gold mine, and a hermit's hut. In this environment, the fates of the beautiful girl Anna, a tormented widow, her perpetually drunk husband—a postman—and dentist Holoubek, who left his native Vienna, intertwine. Over the course of the year, their paths cross, but then the summer of 1914 arrives and war intervenes decisively in the lives of all those involved... However, the characters' desires and quests are timeless.

Oddsockeaters are small invisible creatures, responsible for socks that go missing when we only have one left from a pair. But unlike them, Seed’s gang wants to have a pair. In the end, they began their fight between two sets of values.

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A period musical comedy set in a quiet Prague quarter at the end of the fifties. Using the western plot device of the "man from nowhere" a generation gap story unfolds of changing social climate. The action is driven by the character of a young man named Baby who causes a local rebellion by bringing rock'n'roll to a Communist neighborhood raised on swing.

Director Tomáš Vorel created his experimental feature debut with members of renowned Prague non-traditional auteur theaters. The ensembles presented their own poetics and style through five "short stories" connected by satirical commentary by the "expert" Dr. Milan Šteindler, CSc.

This bittersweet film was Roman Vávra's feature debut. The film consists of three independent stories, all connected through the motif of a field of grain. In 'Awn' a young couple takes a summer stroll in the country, in 'The Haystack' a gang of boys have an adventure with an older girl, and 'The Journey' recounts the tragicomic homecoming of a pair of aging newlyweds. For only the second time in the nineties Czech star Iva Janzurová appeared on the silver screen.

Short musical comedy from Tomas Vorel.

The story takes place in the small town of Podlesie, which was once invaded by the Turks. The good fairies were - in good faith - asked for help, but it consisted in hurting others. This has not brought happiness to the town, and it needs to be put right... Perhaps the young blacksmith's nephew Tonko will succeed.

In 1950, Jozef watched the communists assume control over his native Hungary. He was too young to have an opinion about it, but he was mightily impressed all the same. Now it is 1968, and he is a young man. When the Russian tanks come rolling through his village on their way to suppress the stirrings of freedom in Prague, he does what he can to ensure that he's in good odor with those who will inevitably come out on top. This meandering political drama is apparently an exploration of opportunism, but reviewers gave it low marks for clarity of exposition.

Thirty-five-year-old bachelor Jiří Šafránek is a train dispatcher, an amateur actor rehearsing the role of Hamlet, and the proud owner of a 1960 Stadion 22 moped. Because of the blue color of his beloved motorcycle, the police call Jiří the Blue Dragon. Jiří still lives with his mother, who finds it difficult to tolerate his escapades. Like Prince Hamlet, Jiří talks to his father's ghost. In addition, he is always running late and shortens his journey from work to theater rehearsals by taking a footbridge where motorcycles are prohibited. One day, he almost collides with a girl named Adina coming in the opposite direction. This marks the beginning of a relationship that will disrupt not only Jiří's coexistence with his mother, but also the preparations for the premiere of Hamlet itself.

The juxtaposition of animals locked in cages in a zoo and people shackled by the confinement of the city has not lost its impact to this day. The amorous enchantment, passing and bonding of the two protagonists, a young conservationist and a paleontologist, takes place against a backdrop of subtly affected period realities. The debuting filmmakers, screenwriter Jaroslav Vanča and director Václav Křístek, have attempted to spice up the story with the character of a mysterious man who turns out to be the writer of the events just narrated.

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Tůma's film is a sovereign cinematographic space, which, broken up into many chapters, takes an unconventional look at contemporary Czech society. The opening political grotesque on the election of the President is drowned out by the ecstatic ramblings of philosophising (and chattering) fragments turning on the sought-out axis of life and the world, and especially the inward-looking images full of colourful objectivity and charming humour that is elevated to the level of pure poetry.