Ng'endo Mukii

Four teens are just trying to survive secondary school when an ex-spy recruits them for her superhero team. Their newest assignment? Saving the world.

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.

“I don’t want to feel like it’s only me. I know it’s not only me, because there are others out there…” ‘I Don’t Protest, I Just Dance In My Shadow’ is a short visual essay film by artist animator, Jessica Ashman, about navigating the visual art and animation world as a black face in a white space. Using animation and recorded interviews of eight other women of colour artists, ‘I Don’t Protest, I Just Dance In My Shadow’ is an abstract confessional from the director herself: a visualisation of the joy, frustration, wishes and dreams of what it feels like to be a black women and a woman of colour artist, creating and existing.

When Enkai, the curious daughter of a powerful creator figure, ventures prematurely to Earth, she witnesses the exploitation of a sacred mountain in Kirinyaga by a Euro-Kenyan corporation. As resistance brews among marginalized communities, Shiro intervenes to protect her daughter; while silently battling a deep internal fracture of her own.

Kitwana is a ordinary boy just like the other kids. Since one day, his life is getting something wrong but there is no one who notice it.

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This Migrant Business shows the systems that exist that enable and exploit African migrants seeking better lives in the Middle East and Europe. The system creates a cyclic force that ensures that demand and supply will continue to feed into each other, indefinitely. This is a lucrative trade with vulnerable people as its currency.