Kara Walker

Noted Harvard scholar Henry Louis Gates, Jr. has been helping people discover long-lost relatives hidden for generations within the branches of their family trees. Professor Gates utilizes a team of genealogists to reconstruct the paper trail left behind by our ancestors and the world’s leading geneticists to decode our DNA and help us travel thousands of years into the past to discover the origins of our earliest forebears.

THE BLACK LIST: VOL. 2 profiles some of today's most fascinating African-Americans. From the childhood inspirations that shaped their ambitions, to the evolving American landscape they helped define, to the importance of preserving a unique cultural identity for future generations, these prominent individuals offer a unique look into the zeitgeist of black America, redefining the traditional pejorative notion of a blacklist.

An introduction to the work of some of the foremost Black visual artists working today, inspired by the late David Driskell's landmark 1976 exhibition, "Two Centuries of Black American Art."

Gary Graham assembles an inspiring cast of seven leading ladies—including Parker Posey, Kara Walker, and Sunrise Ruffalo—to bring his Fall ‘16 collection to life.

What does it mean to be Black in America in the 21st century? The recently formed Black American film group TNEG™ has set out to elucidate this very question. Hearing from the likes of fine artist Kara Walker and musical artist Flying Lotus, the film is based on a deceptively simple approach -- asking a refined list of black 'specialists' as well as 'uncommon folks' questions about what they think, and more importantly as lead director Arthur Jafa states, 'What they KNOW' -- the film is an unprecedented 'stream of the black consciousness' and a strikingly original and rarefied look at black intellectual and emotional life. What's so unorthodox about this simple approach is that the interviews were recorded separately from the images in the film. What results is a breathtaking, kaleidoscopic look of American black life from the dawn of three original filmmakers.

Kara Walker uses cut-paper silhouettes to animate gruesome fantasias of sex and violence. revisiting America's racist pasthrough its depictions of white supremacist crimes from modern US history. The film's musical score was composed by musician and artist Lady Midnight.

Fall Frum Grace, Miss Pipi’s Blue Tale is a shadow puppet narrative, which follows the travails of the heroine, Miss Pipi, intercut with shadow puppet “abstracts” of a surreal and violent nature. The subtext of the video is the mythology surrounding white Southern womanhood, historically cited time and time again as an entity to be protected from sexuality, in particular from the presumed hyper-sexuality of black men. Although fiction, this was the excuse for the murder of countless black men and boys in Jim Crow America. Miss Pipi’s Blue Tale is meant to be as deeply contradictory a visual tale as the Blues is in music. Delta Blues often merges broad comedy with despair, sensuality with loss and do-it-yourself urgency with structured improvisation.