Sound
Waitress Saara meets handsome journalist Joni, and soon moves in to live with him. Joni tries his best to satisfy Saara sexually but, disturbed by violent lesbian fantasies, she is unable to experience orgasm. Trying to cope with the situation, Saara has another brief affair back in her old home town.
Two men and a woman, all rallye drivers, get too closely involved, competing in the race and in love.
Juhani, a welder and Ritva, a right-wing backgrounded, future clerk get married. Soon we see that their marriage seems to be all about long business trips, housing problems, concerns about the money and political disagreements.
A Finnish adaptation of Notes from Underground by Fyodor Dostoevsky.
Risto Jarva's short documentary on housing in Helsinki in the late 1960's.
Triangle comedy about a movie crew shooting a no-budget artsy film. Director Pohja is a clumsy beginner, cinematographer Törrönen an old pro, and the leading actors Igor and Merju first detest each other although the script is supposed to make them lovers. The two gradually grow closer even in real life, but the director too has set his eyepiece on Merju.
Eccentric small town librarian Helinä struggles between everyday life and her love for the theatre, directing amateurs for a play by the famous Finnish writer Aleksis Kivi. She still carries the torch for her teenage sweetheart Leo, now a married chimney sweeper but still an aspiring playwright, despite his wife's opinions. Helinä thinks Leo is Aleksis Kivi, and so does Leo himself. Discouraged by the society, they end up in a mental institution but finally manage to stage an outdoor premiere of the play.
Young photography model Susanna and her alienated teenage brother Veli spend the summer of 1969 travelling around Finland, mostly with another girl and her boyfriend. Sporting the latest fashions and trendy hairdos, they naĂŻvely observe and criticise the modern consumer society, advertising, fancy boats and summer cottages, country dances, barbecues, and any other phenomena that were supposed to bother angry young intellectuals in those days. The plot and the political agenda are delivered with a cheerful, tongue-in-cheek mixture of documentary observations, fake TV commercials, fake interviews, philosophical voiceovers and titles, and a jazzy soundtrack by the progressive rock group Wigwam.
