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Stephan Rosti

Stephan Rosti

Acting

Biography

Stéphane de Rosti was born in Alexandria. His father, Stéphane Rosti senior, an Austrian Baron, who married an Italian, bought her palace in Shoubra and decided to live there. As the mother was about to give birth to her child, the father returned to Vienna in obedience to his Aristocratic family. When Stéphane Rosti was born, she gave him his father’s name. He lived with his mother in Shoubra, and went to al-Khedeweyya school. When he got his school certificate, he decided to try to meet his father. At the same time, he got in touch with an Austrian ballet dancer in “Teatro Abbas” with whom he travelled to Vienna. He managed to meet his father there but eventually fell from favor because of his relation with the dancer, in addition to his Artistic tendencies. It was in Europe that Stéphane met the director Muhammad Kareem, was studying cinema in Germany at the time, who helped him to return to Egypt. In 1917, Rosti met Aziz Eid who was about to form his own theatrical troupe. Later, Rosti together with Nagueeb al-Rehaany presented the operetta “Al-‘ashara al-tayyeba i.e. Ten of hearts (1920)”. It was his activity in Ramsis troupe that made his colleague ‘Azeeza Ameer decide to let him complete what was considered the first Egyptian feature film “Nedaa Allaah i.e. The call of God (1927)”, eventually changed to “Laila” in 1927. The Turkish director Wedaad ‘Orfy was supposed to direct the film but he clashed with Azeeza Ameer. In addition to “Laila”, Rosti directed five films and was co-writer of six others. However, his reputation rests heavily on his acting career. Even though he was famous for playing the villain, he used to interpret such roles with a unique sense of humor that made the audience sometimes actually like and sympathize with his character. He succeeded in combining the villain and comedian, to become a comic villain. He used to take part in the writing of his character and add some words that usually became a feature of his character. It is a measure of his success that some of his lines are still remembered until this very day. Would always be remembered also for his unique accent and tone of voice especially when playing a foreigner. In 1936, Stéphane Rosti married an Italian lady called Marina, they stayed together until he died on 12 May 1964, while shooting the last scenes of “Hekaayaat noss al-leil i.e. Midnight tales”.

Known For

Hassan, Morcos and Cohen
N/A

Hassan, Morcos and Cohen are the owners of a drug store, and Abbas is the only worker in the store, who loves Hassan's daughter Belqis.they contract with him for a salary equal to twice his salary for a period of twenty years on the condition that those who give up their work in the warehouse pays a large compensation,this plan is drawn up by the three after they discover that Abbas has inherited a great fortune, and Abbas knew that money was the only weapon that puts them all at his mercy, including his beloved Belqis, the sign he used to use during his poverty.

Hassan, Morcos and Cohen

1954
Mr. Omar
7.4

Gaber Effendi is a simple employee at Ezbet Omar al-Alfi's, expelled by the head of the family after Jabir discovers that there is fraud in the accounts of the estate. Gaber meets with Berlanti, the wife of Omar Bey's, noting a great similarity between him and her absent husband in India, Omar. Following the advice of a legal advisor, Omar Bey's family believes that he is still alive and living in India. By chance, Jaber Effendi goes to Omar's house and is seen by the family and gets married, but Omar finds out the truth and tries to exploit the resemblance to seize wealth, but ultimately fails.

Mr. Omar

1941
My Heart is My Guide
7.0

No description available.

My Heart is My Guide

1947
El Maganeen Fi Naeem
7.5

A madman exposes humanity’s insanity. Andeel leaves a mental hospital after 10 years of treatment are over to face the world again. Whenever he reveals that he used to be a mental patient, he is faced with aggressive suspicion, cruelty and rejection. When a shop owner refuses to hire him, he yells that he is the only one with an official certificate that proves he is actually sane. We follow his miserable search for a job and watch situations in which, over and over again, he gets very close to a decent life just before his unrestrained tongue reveals a side of his madness that freaks people out. Andeel is an honest, kind person who’s good at what he does, but people’s uncontrollable fear of madness makes them want to get rid of him and the uncomfortable state he puts them in, probably because of how normal he seems, just like them, yet how crazy he is, like they fear they might be.

El Maganeen Fi Naeem

1963
Raqsat Al Wadah
7.3

A poor maid loves her wealthy young master and she becomes pregnant. The head of the family seeks to make her marry a lawless man to give the newborn girl his name. Time passes and the girl becomes a dancer in nightclubs, and falls in love with a wealthy young man who knows who is her real father .

Raqsat Al Wadah

1954
The Impostor
9.0

Two brothers, the first is a swindler who asks his brother, who looks like him, to replace him in his business after he is chased by his opponents, the two brothers, one of them is an evil man working in diamond smuggling, while the second is a respectable human being despite his extreme poverty, the evil brother succeeds in entering his brother to the mental hospital, but he decides to get him out of it in order to deceive some gangsters

The Impostor

1961
Ismail Yassine in Prison
7.5

Ismail Yassin is in desperate need for money. He borrows from the wrong people, get framed for murder and goes to prison.

Ismail Yassine in Prison

1960
Sayedat el kasr
6.8

A chance meeting at an auction brings together Sawsan, a working-class girl and Adel, heir to a vast fortune with several estates to his name. This leads to a whirlwind marriage. This development spells trouble for Adel's fair-weather bourgeois clique, who are used to manipulating him with their own financial interests at heart.

Sayedat el kasr

1958
Hob Min Narr
9.0

Two young men, Ahmed and Mohamed, who live in Port Said, develop feelings for the same girl, Najaf. However, when the Tripartite Aggression reaches Port Said, they abandon life trivialities and join the militants as Najaf joins the Red Crescent; the three unite for a single patriotic cause.

Hob Min Narr

1958
The Flirtation of Girls
7.1

Hamam is a poor Arabic language teacher who gets sacked from a girls' elementary school for not being able to control mischievous students. He feels pessimistic about everything in life,but his freind,an employee working for a pasha finds him a job as a private teacher for his only daughter Laila in order to help her pass an exam. Laila treats Hamam like a friend and helps him to appreciate life and enjoy its qualities,and the man soon is drawn to her.

The Flirtation of Girls

1949
Sageen Abu Za'abal
9.0

The events revolve around an innocent young man who is thrown into prison as a result of a foreign drug dealer's hatred towards him because his mistress loves him. The young man, along with his friend, is able to escape from prison during the raid that was launched on Abu Zaabal prison during the aggression against Egypt, and events escalate.

Sageen Abu Za'abal

1957
Akher Shakawa
9.0

The story of the work revolves around three young people (Anwar), (Mohsen) and (Majdi), who live in one apartment, and events escalate when Anwar gets to know the Cohen family consisting of father, mother and two daughters Rachel and Esther, expecting Rachel to love her, then she seeks to blackmail him as the father of her child, He tries to accuse his friends of the events.

Akher Shakawa

1964
Anbar
N/A

Vim Anbar is a lyrical comedy film starring Laila Murad and Anwar Wagdy with a group of stars who participated with Laila Murad in singing the song that is dear to my heart. They are Ismail Yassin, Aziz Othman, Mahmoud Shoukoko,

Anbar

1948
لا تذكريني
N/A

No description available.

لا تذكريني

1961
Eid Night
N/A

Yasmina, Shushu, and Soso are three siblings trying to make a living by working in a nightclub. When Yasmina gets gambling money from a smitten Adel, she is insistent that the money is a debt that needs to be repaid.

Eid Night

1949
Kol El Regala Keda
N/A

Abbas Al-Aflatouni (Ismail Yassin), the grocer, went to Alexandria to redeem an olive message, anchovy, and cheese. Fleming arrived at him from Greece, and he was late and went to Locanda to reside there, but he did not find an empty room. Abbas Al-Platoni, the lawyer thought it the famous star, and was welcomed by the Locanda workers everywhere he goes, and the guest Hilal Bey Moon (Abdul Nabi Muhammad) watched him seeking the accompaniment of celebrities and their pride.

Kol El Regala Keda

1964
God Is on Our Side
7.0

Officer Emad says goodbye to his sweetheart Nadia as he goes to fight in the Palestine war. As the army suffers from a crippling defeat and rumors of bad weapons abound, Emad asks Nadia to search her father's papers for proof, since her father is one of the men who were involved in the weapon deals.

God Is on Our Side

1955
Seraa El Gababera
9.0

Lillian is a Jewish dancer who has a number of admirers, including Farid, a wealthy lonely young man. Lillian leaves Farid in order to go to Palestine. Farid then meets Goaher, another dancer. Goaher is married to El Saba’i, who along with his colleague Simbel, protect her. Goaher refuses to give any of what she earns to El Saba’i, so Saba’i attempts to ambush, rob, and kill Farid, and events ensue.

Seraa El Gababera

1962
In a rainy night
8.0

No description available.

In a rainy night

1939
Tell No One
8.0

The film's events revolve around the singer Farid, who is in love with one of the dancers, who decides to travel on an artistic tour. He proposes to her to marry her after she returns from the travel, but he falls under psychological pressure that forces him to marry another girl who also works as a singer. After the dancer returns from the travel, she discovers something... Her lover's marriage, so she leaves him, but later she discovers that things are not as they seem, and that the singer's uncle loves the dancer and wants to marry her.

Tell No One

1952