Masao Adachi

Fumiya owes 5 million yen to a female load shark for a gambling debt, while having affair an with Mrs. Hosoi who offers him 5 million to murder her husband. Fumiya has no choice but to kill Mr. Hosoi. Unfortunately he's see by a neighbor. In the escape, he meets a girl named Akiko. He hides in her house. Later on, Fumiya and Akiko fall in love and have sex. After that, he finds that the house owner Shin kidnapped Akiko whem she was a little girl and has kept her in the house for over a decade. Fumiya is determined to take her away from Shin's brutal confinement. A battle of wills between jailer, prisoner and accidental savior begins….

A critique of the Japanese family, seen here as militaristic, absurdly incestuous and patriarchal with the father dominating his family sexually and violently. Nihilistic destruction by the young ones seems to be the only way out.

A Korean man is sentenced to death in Japan but somehow survives his execution, sending the authorities into a panic about what to do next.

In Tokyo's Shinjuku district, the lives of a young man prone to theft, a young woman he meets at a bookstore, and a kabuki actor intersect.

Yasuo (Hiroshi Abe) grew up as an orphan. He married a woman he loved and they had a son Akira (later played by Takumi Kitamura). Yasuo's life seemed great at the time, but his life totally changed after his wife died in accident. Since that time, Yasuo, who never experienced parents' love himself, has to raise his son Akira alone.

Based on the factual case of a young man who broke into a nurses' home in Chicago, mutilating and killing several of the inmates, Wakamatsu's film is a precise, sad delineation of a particular aspect of masculine sexual consciousness.

Go, Go, Second Time Virgin is the story of two damned and abused teenagers who meet and fall in mutant love on a Tokyo rooftop. Their only hope is to cement their love with an escape into oblivion.

A militant revolutionary group is torn apart by betrayal as its members descend into paranoia and sexual decadence.

Biopic about jazz saxophonist Kaoru Abe and his wife, noted writer Izumi Suzuki.

A masterpiece of militant cinema of 1968, filmed on the actual barricades of Adachi's very own Nihon University during the period of social struggles. The film begins in a lengthy free-love session taking the form of a 'play' rape being enacted by a group of aimless, listless and political apathetic students. The subtext intended by Adachi informs the rest of the film – that there is a world of difference between direct action politics, and merely talking the talk.

Documentary filmmaker Kenjiro Fujii takes a look at the history of a distinctly Japanese brand of softcore pornography in this extensive examination of the "pinku eiga" genre (ピンク映画 Pinku eiga or Pinkeiga). For more than 40 years, so-called "pink" films have served as both a key source of revenue for the Japanese film industry as well as a launching pad for the careers of such mainstream filmmakers as Kiyoshi Kurosawa. After providing a detailed history of the still-profitable and popular genre through interviews with a variety of behind-the-scenes players and clips from such classic pink films as Fish Bait Boobies, director Fujii shifts his focus to the production of an upcoming pink film to offer a glimpse into the creative and stylistic evolution of the genre.

During a militant attack on an airport, the hand grenade of 'M', one of three terrorists, malfunctions, leading to him being captured and held indefinitely in prison. Exposed to mistreatment behind bars, he slowly loses his grip on reality as he is forced to confront his ideological convictions.

Three students spend their holidays at the seaside where they are mistaken for Koreans, a minority which is looked down on in Japan. The action develops into a crime story.

A woman who has just missed her suicide and a couple which has just left its political movement meet on a beach...

Yuji and Yuriko's peaceful life shatters when an old diary belonging to Yuji's great-uncle Sadaichi, who died in the war, is discovered. The pages are full of an obsession with life... and one strange phrase: "I want to devour the bird—Hikuidori." From that day on, eerie phenomena start to haunt those connected to the diary. As the nightmare deepens, a strong will to live—once buried with Sadaichi—begins to twist the past and bleed into reality.

A small gang of revolutionary students is hidden away by a small-time thief. While they are in hiding, everyone except the thief takes turns engaging in sexual activities with a girl who appears unhappy and perhaps unwilling, having had the misfortune of getting involved with them.

Tatsuya Kawakami's mother becomes a member of a religious group after her husband commits suicide, and makes a large donation to the organization. Her three children are forced to live in poverty, and her eldest son, who is blind in one eye due to illness, takes his own life. Kawakami comes to believe that the religious group has ruined his life, so he creates a homemade gun and carries out an assassination plot against former prime minister Shinzo Abe, who has close ties to the religious group, which has been accused of siphoning off money from its members.

On their way back from the Cannes Film Festival in 1971, filmmakers Wakamatsu Koji and Adachi Masao visited Lebanon to meet Japan's Red Army faction and the Popular Front for the Liberation of Palestine to shoot a newsreel film promoting the Palestinian resistance. Conceived as a ‘declaration of world war’ that implicates us all, the directors capture the everyday banality of military training and preparation exercises for imminent battle.

Inspired by the true story of a Geisha murdered in a city famous for its baths, Adachi forged here his favorite style, a kind of conceptual documentary recounting the incident in monotone. The same event that at the beginning of Violated Angels escaped every principle of causality, is portrayed here as a singular anti-spectacle.

Mishima has just committed suicide. Two couples meet by accident at an inn in the countryside, the man and the woman, now, each with a new partner, who knew each other already for ten years...