Claudio Bondi

By day, Ovidio (Joe Dallesandro) and his two friends work at a data center. After work, they blow off steam by committing random acts of savage violence, swiftly graduating from sparking a riot at a football game to vehicle theft, rape, and murder. The police are convinced this recent spate of crimes is politically motivated, but world-weary veteran Commissario Santaga (Enrico Maria Salerno) suspects a far more terrifying explanation: that these young men are motivated by nothing more than boredom and disaffection at civilized society. As Ovidio's behavior escalates, a psychological game of cat-and-mouse ensues between the two adversaries, building towards a shocking final confrontation.

A good-natured but unlucky Italian is constantly going on a difficult situations, but never lose his mood.

This is an exposition of the social and political history of renaissance Florentine history, told through dramatized conversations between the main participants, Cosimo de Medici and Brunelleschi.

A number of unexplained military deaths hit Italy and are ruled to be accidental or suicides, but police inspector Giorgio Solmi suspects otherwise. When a mysterious wealthy electrician is seemingly murdered by a female escort, a sinister plot slowly begins to unravel.

This portrait of the Italian director & actor, Pietro Germi, explores his work, from Italian neorealism to the birth of the Italian comedy. He constructed his movies in a conventional way but also experimented new path. His favorite actresses such as Clau

A group of young desperados is hunted for several years by a determined bank guard

De Reditu takes place in 415 AD- five years after the devestating sack of Rome by the Visigoths- and tells the true story of Claudio Rutilio Namaziano, the last great pagan poet of a declining Roman Empire. A nobleman frustrated by the dominance of Christianity (which he blames for Rome's troubles) and a failed love affair, Claudio embarks on a sea journey to his native Gaul in order to raise an army and bring glory back to the Empire.

La Balena di Rossellini origins from one of the most beautiful Roberto Rossellini's dreams, an exemplary project for his autorial path. The film conceived, but never realized, by Rossellini took shape in his notes after a trip to Chile conducted in May of 1971, a trip made to conduct an interview-portrait of Salvador Allende, then actually carried out by the director of "Rome, Open City". October 28, 1971: Rossellini, back from Santiago, Chile, reads a newspaper reports of a beached whale on the Pacific coast near a poor village inhabited by fishermen. From this simple news comes a film script for a fable about wealth and poverty. A film whose shooting Rossellini would have been entrusted to the young student Claudio Bondì, just graduated from the Experimental Center of Cinematography.