Acting
One of the first post-Independence Bosnian sitcoms. Production started on June 22, 2001 in Sarajevo, Bosnia and Herzegovina. The final episode was filmed in Sarajevo on August 25, 2008 and aired in October. It eventually became one of the region's most popular sitcoms.
The life of Maha Dilber, a professional journalist and long-time single man who has just retired early and planned his life when middle-aged, changes overnight when two daughters from two different, failed marriages appear at the door of his newly renovated apartment.
The story of a musician, former drug addict and drug dealer named Slobodan Milosevic.
This true story is made up of two episodes that show Operation Hydra. After the fall of the Uzice Republic and the success of the first enemy offensive, the British sent their mission and this series shows the events.
Three loosely connected stories about football fans in Zagreb, Croatia, during the day of the country's biggest derby between Zagreb's GNK Dinamo and Split's NK Hajduk.
Budimir and Zlatko are two partners advocates. Apart from being business partners they also share a family connection. Budimir was married to Zlatko's late sister and is now living with his daughter Mia and his mother-in-law Dika, Zlatko's mother. Due to exceptional circumstances Zlatko loses his house and moves in with his mother, brother-in-law and niece.
The plot of the series follows two lawyers, Nenad and Zijad.
A cult stage play from the Academy of Performing Arts in Sarajevo, which involves the professor and the gallery of grotesque candidates devoid of any talent who applied for entrance exams.
Moved by his love for his girlfriend Senka, Senad leaves his job at the hospital and comes to the besieged city. Avoiding the armed groups roaming the city, he finally finds Senka at her brother Zan's home. Zan happens to be Senad's best friend and is working in the theater as a clown in the production, "Flying Tours of Duty." His girlfriend Senka is working in a hospital but has no time for love. Dejected Senad returns to his flat, only to find it has been demolished by the war. Zan invites Senad to live together with him, his wife and Senka. The rest of the film recounts the tragic events that befall the group and how they face up to them.
A 1988 Serbo-Croatian language drama film directed by Milan Bilbija, starring Senad Bašić, Snježana Martinović and Stojan ‘Stole’ Aranđelović.
Sabina, a divorced mother of two small children, falls in love with an old friend from the Bosnian war. The two plan to marry, but things go terribly wrong.
April 1992. Members of a large family strewn around the former Yugoslavia gather around the death bed of their elderly matriarch. She is not well, but the forecast of a family doctor that her death is a matter of minutes away proves incorrect, so the waiting stretches out for days. Relatives start bickering, playing tricks and arguing over the inheritance to be left by the old woman, especially over her large family house in Sarajevo. Despite her deteriorating health, Grandma happily joins the fray. It appears as if that might be what is keeping her alive. Family feuds and intrigues directed against one of the sisters are more important to the family than the clear, terrifying signs of an approaching cataclysm. When the scheming is finally revealed, it is too late. A war has begun in Sarajevo.
Two years after the Bosnian war, a town that is slowly rebuilding itself must whip together a democracy when it's announced the U.S. President Bill Clinton might be paying a visit.
After ten years in Germany, Armin returns to Bosnia. He just got married and wants to surprise his father, but he is not home. Neighbours say that he has been arrested, nobody knows why. The papers say that he is a suspect for the war crime back in the 90s. Armin wants to learn the truth and the neighbourhood to celebrate May Labor Day.
A couple of morticians entertain themselves by betting on how many cold customers will come in that day. But one of the corpses refuses to cooperate...
Sarajevo, 1995. Senka, a young actress, misses her boyfriend, Camac, a soldier in the Bosnian army who is often away fighting. Despite everything, she continues to go with her brother-in-law to the theater to perform in a play.
An alcoholic Bosnian poet sends his wife and daughter away from Sarajevo so they can avoid the troubles there. However, he is soon descended upon by a pair of orphaned brothers. The brothers have escaped a massacre in their own village and have come to the Bosnian capital in search of a long lost Aunt. The poet befriends the boys and together they try to survive the horror of the siege of Sarajevo.
Agata travels from Sydney to Sarajevo to write a war novel, but as she gathers material, she is challenged by locals who question her motives. Her creative uncertainty growing, she sees a startling mystery unfold: some provocative and obscene artworks inexplicably vanish. As Agata reads the first chapters of her new novel, it becomes clear that the story is not about the war itself, but about the quiet, very human moments of resilience that persist in its shadow. During her stay in Sarajevo, Agata has developed a deeper understanding of the act of storytelling and the profound responsibilities that come with being a storyteller.
A high representative goes by the narrow macadam road to the grand opening of the facility in a mountain village, another new victory of his own. In the car with him was not his wife but his mistress, a young and rather attractive girl. The car stucks in the quite large and deep puddle in the middle of the country road...
Arman is about to turn 18. He was adopted as a baby by Jasna and Senad, who were unable to have children of their own. However, four years after the adoption, Jasna gives birth to Dado. Throughout his life, Arman has had a hard time coping with being an adopted child. Full of explosive energy, he constantly gets in trouble together with his schoolmates. Despite being very intelligent, he is labelled as a problem child. The only place he feels safe and loved is with Jasna’s parents. At the same time, Arman does all he can to save Dado from self-destructing. However, despite everything he does to support his brother, his parents interpret Arman’s involvement incorrectly, and blame him for every trouble with Dado.
