Reiko Kongō

In 11th-century feudal Japan, following the exile of an idealistic governor, his wife and children are separated by slave traders; the children, Zushio and Anju, are sold into brutal servitude under the cruel bailiff Sansho.

In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.

When the wife of a 17th-century Kyoto scrollmaker is falsely accused of having an affair with his best employee, the pair flee the city and find themselves truly falling for one another.

An Indian prince leaves his world of comfort and riches behind to wander and meditate for six years in search of spiritual enlightenment. Siddartha (Cojoin Hong) turns his back on the old religion when people are starving needlessly and holy rituals include human sacrifices. During his meditations, he is tempted by erotic dancing women, demons, and the evil machinations of his criminal cousin. Devastate to attain the spiritual perfection and become the Buddha. He travels to convert followers by his kindness and wisdom, gaining a multitude of believers when he stops an elephant from crushing a local priest. Buddha of course goes on to become one of the great religious leaders of the world.

Satoko is a mistress by trade or fate: when her master, the silkscreen artist of the Kohoan Temple in Kyoto, dies, she is given to the temple's lascivious head priest Kikuchi. She is drawn to a melancholy young acolyte, Jinen, who has observed the profligacy of his cruel master and Satoko's utter dependence on the man. Jinen is both fascinated and disturbed by Satoko's interest in him; he is similarly caught between loathing of Kikuchi and of the dark circumstances of his birth and his own moral weakness. The story unfolds in a dreamlike manner—a flashback inspired by a now-infamous image on a silkscreen in the souvenir shop at the so-called Temple of the Wild Geese.

Two amiable samurai wind up on opposite sides of the vendetta between Lord Asano's retainers and the family of Lord Kira that led to the famous revenge of the 47 Ronin.

In Kyoto a young kimono maker with traditional ideas gets involved with a married professor.

Fascinated with women from an early age, Yonosuke had his first sexual encounter at the age of seven. From that day on, he recklessly and forwardly pursues women, feeding his fascination and experience. As Yonosuke's salacious behavior brings much cause for shame to the family, his father eventually breaks relations with him. Expelled from the family, 19-year-old Yonosuke embarks on a pilgrimage of lust, traveling far and wide to acquaint himself with women of all walks.

Shinnosuke is introduced to Shizu as a prospective marriage partner, but he falls in love with her widowed sister Oyu. Convention forbids Oyu to marry because she has to raise her son as the head of her husband's family. Oyu convinces Shinnosuke and Shizu to marry so that she can remain close to Shinnosuke.

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Tradition and modernity clash when a young woman inherits a sweet-making firm in Kyoto.

Legendary yakuza Shimizu Jirocho and his 28 henchmen travel the unruly path from a 'Fire Festival' in Akiba to a decisive battle by the Fujigawa.

Escaping the hustle and bustle of Edo, the Young Lord came to Oshima Island in Izu to take a vacation. Unexpectedly, the island's boss, Amimoto, was brutally murdered with a harpoon. As usual, the Young Lord sets out to solve the case. However, most of the islanders have a grudge against Amimoto, and there are so many suspects that he is at his wits' end this time. Set against the beautiful sea of Izu and the majestic Mt. Mihara, the Young Lord's brilliant deductions and his secret sword Ichimonjo-Kakureshi cut through the mystery!

A ghost story about a woman who dies a violent death and appears to the man she loves as a vengeful spirit. This film marked the turning point in Daiei's shift in emphasis from thrillers to ghost stories.

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A tryst between the young warrior Hagiwara Shinzaburo and beautiful Otsuyu is discovered, and the shamed Otsuyu commits suicide with her maid. Their ghosts subsequently appear to Shinzaburo. He obtains a door-protecting charm and a statue of the goddess Kannon from a priest to keep the spirits from his home. A conniving servant removes the protective devices so that Otsuyu can reach her lover and cart him away to the land of the dead.

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The TV drama of Ima Harube was adapted by Yagi Ryuichiro ("Komuso Henge"), directed by Mori Issei ("I Am Fujikichirou"), and cinematographed by Honda Shozo ("The Return of the Ghost"). The main cast includes Katsu Shintaro ("Flower of the Wandering Bird"), Saga Michiko and Mita Tokiko ("Matashirou's Fighting Journey")

A tanuki-themed musical.