Kiyoko Hirai

Desperate to escape her grueling life caring for her paralyzed husband, Tamiko murders him and burns down their home to start anew. She is soon entangled in the dark web of an influential, elderly power broker, becoming his mistress and a pawn in his political schemes. As she descends further into a downward spiral of moral decay, Tamiko realizes that the freedom she sought is merely a new form of entrapment.

Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.

The story contrasts the life of two doctors, former classmates and now both assistant professors at Naniwa University Hospital in Osaka. The brilliant and ambitious surgeon Goro Zaizen stops at nothing to rise to a position of eminence and authority, while the friendly Shuji Satomi busies himself with his patients and research.

An exciting film about thugs, in which murders and drugs, justice and resentment explode in the dark city of Tokyo with the help of guns and violence.

An attempt is made to suppress a journalist's investigation of collusion between a rural police chief and the local gangster bosses.

Pu Zhe, younger brother of the Emperor of Manchukuo, marries Ryuko, daughter of an aristocratic family. To the surprise of all, a deep love between Pu Zhe and Ryuko develops and is put to the test when Japan loses the war.

In post-war Japan, Michiko, a disillusioned young woman trapped in a loveless marriage, confides in her younger cousin, Tsutomo, and the two become close, but decide not to consummate their affair. He instead becomes involved with the flirtatious Tomiko, who is also conducting an affair with Michiko's husband. When Michiko finds that her husband has abandoned her, she decides to take her fate into her own hands.

A young girl is rigorously trained in the feminine arts so that she can become a geisha. As she struggles through life, she learns to live not just as a woman but as a complete person.

Large star-shaped aliens travel to earth in hopes of warning them about an oncoming catastrophe. To prevent panic about their appearance, one alien takes the form of a popular singer.

Hikaru Genji, the haunted romantic hero of Lady Murasaki Shikibu’s “Genji Monogatari” (Tale of Genji) comes to life in this new tale of his further romantic adventures. Young Genji, the emperor’s illegitimate son cuts a swath through the women of the imperial court, while still mourning the spirit of his late mother who died while he was still a child. Driven to an obsession with the emperor’s new concubine, Lady Fujitsubo, whose resemblance to his late mother originally caught the eye of the emperor, young Genji embarks upon a reckless affair with her that could cost him his life.

Hayase, a schoolteacher, assists Sakai in editing a German-Japanese dictionary. Hayase owes much to Sakai, as Sakai raised him for 13 years after Hayase lost his parents in a war. Hayase has been secretly married to Otsuta, a former geisha, and has been unable to tell Sakai of the marriage, aware as he is that Sakai wants him to marry his daughter, Taeko. Otsuta wants Hayase to tell Sakai about her, but understands the difficulty of his position. At a festival, Otsuta is mistaken for a pickpocket and taken to the police. Because of her background as a geisha, newspaper reporters eagerly delve into her past and report that she has been married to Hayase. Unaware of what has been printed in the papers, Hayase decides to tell Sakai about his marriage. Sakai shows the newspaper to him and orders Hayase to part with Otsuta. Given no chance to explain, Hayase accepts Sakai's order.

Detective Goto, who had sniffed out drugs as the culprit behind the murder of an elderly woman, was run over and killed while pursuing the culprit. His younger brother Matabei vowed to challenge the culprit in front of his brother's grave. A fast-paced action-packed story.

A period mystery in which an unconventional priest exposes the truth behind the bizarre death of a maid in the shogun's harem. Kinuyo Tanaka stylishly plays a constantly intoxicated geisha in this all-star entertainment film.

1958 Japanese movie

Kuramoto, who works for a large trading company, is a skilled employee who is well-liked by the company president. He is engaged to an employee named Nishino Etsuko, but he used her for his own career advancement and kills her so that he can marry the company president's daughter. When Kuramoto returns from his honeymoon with his new wife, Etsuko's brother shows up in search of the whereabouts of his missing sister.

Based on the short story The Psychological Test by Edogawa Rampo.

Shinnosuke is introduced to Shizu as a prospective marriage partner, but he falls in love with her widowed sister Oyu. Convention forbids Oyu to marry because she has to raise her son as the head of her husband's family. Oyu convinces Shinnosuke and Shizu to marry so that she can remain close to Shinnosuke.

In a rural district of Tokyo, the owner of a farm is abandoned by his two daughters who are attracted to the life of the big city.

The intense selfishness of a man brings him fame and fortune but not happiness.

No description available.