Acting
No description available.
The TV dramatization of PO Hviezdoslav's epic tells of a time when the feudal system as a social force begins to disappear. Its only salvation is to merge with the people. Ežo is a supporter of this idea.
Historical reconstruction of the events of the anti-fascist struggle in Slovakia in 1943 and 1944.
On Christmas Eve, 1944, in Nazi-occupied Slovakia, the Kubiš family grapples with survival amidst brutal reprisals. Marián collaborates as a fascist guard leader, while his sister Angela has an affair with their Nazi lodger, Major Brecker. The situation escalates when their younger son, Juraj, a former partisan fighter, returns home wounded. As Germans search homes for escapees, Juraj hides in the attic, while an unsettling Christmas dinner unfolds below with Major Brecker present.
This film is one of the most popular pictures of Slovak cinema and relates the story about the legendary folk hero and brigand Juro Jánošík [1688-1713] and the social situation in Slovakia of the late 17th and early 18th centuries. The first part talks about Jánošík's childhood, studies and return to his native village. In the second part Jánošík leaves for the hills, where he organizes his band of brigands and starts an anti-feudal resistance. The film concludes with Jánošík's execution.
A dramatic story of the emotional, moral and political maturation of two young people during the Slovak National Uprising.
An apocalyptic story of three wars in three film tales encompassing the end of the WWI,WWII, as well as a vision of the world destroyed by nuclear weapons. This film was honored at the film festivals in Venice and Sorrento. Immediately after that the copy with Italian subtitles was locked in a safe as evidence of the anti-communist activities of the director, who used real footage of the Soviet invasion.
Biographical film about the work of the young Klement Gottwald. The story depicts his stay in Banská Bystrica, where he edited the Slovak communist press and helped organise the communist revolutionary movement.
Slovak partisans, bravely fighting against Nazi superiority, would never have succeeded to such an extent if they had not been supported by the villagers. Despite the threat of repression, it is the villagers who care for the wounded, hide them, and behave conscientiously. Although the film was made in the late 1960s, it fully adopts the patterns of partisan stories, perhaps the only thing it can be credited with is a more developed sense of authenticity in the story, characters, and setting.
Once upon a time there was a king who had only one daughter. However, his kingdom was sad because the old king was always grumpy. Moreover, he liked to eat boiled duck, of course. There was no one left in the kingdom, so he decided that whoever brought him his delicacy would get the princess as his wife.
A dramatic love story in the front line.
