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Olga Damani

Olga Damani

Acting

Biography

Olga Damani (Greek: Όλγα Δαμάνη, Athens, November 17, 1943) is a Greek actress. He was born in Athens on November 17, 1943. In 1975 he graduated from the Dramatic School of the Art Theater. She began her career with various theater performances at the "Karolos Koon" Art Theater, later followed by various television series and films. From 1975 to 1985 he collaborated with the "Karolos Koun" Art Theater and participated in works such as Seven on Thebes by Aeschylus, Hens by Aristophanes, Bacchus by Euripides and many others From 1986 to 1995 he collaborated with the National Theater in the plays: Exile by Pavlos Matesi, Churchmen by Aristophanes, Bengera by D. Kapetanakis, The Murder of Mara by P. Weiss and many others. With directors such as Vassilis Papavasileiou, Giorgos Armenis, Stavros Tsakiris, Nikaitis Kontouris, Yiannis Diamantopoulos, Vassilis Nikolaidis, Andreas Boutsinas and others. in performances of ancient drama and modern dramaturgy: Aristophanes, Aeschylus, Moliere, Maribaud, Goltoni, Shakespeare, Ibsen, Lorca, Arthur Miller, Eduardo de Filippo, D. Solomos, Palamas, Gouzelis, Hurmouzis, Scurtis, Armenis, etc. On private television she has appeared in the series Like Crazy Birds, Fanny, Dyed Red Hair, Department of Morals: Grace and Rhinestones, The Wedding Dress Rehearsal, Dusty Clouds, Due to Honor, Vendetta, No Problem, Airy Silences, Dancing in Silence, Jordan , Secrets and mistakes, Angelina's treasure, 10th commandment, The stories of the policeman Beka, Yugerman, Karyotakis, The Island, Kato Partali, Wild Bees (Season 2) and Sasmos.

Known For

Fonissa
6.4

It is the early 20th century on a dystopian Greek island. Hadoula, a widow who lost her husband, loannis Fragkos, at a young age, is a woman who has learned how to survive in a male-dominated and extremely patriarchal society. Hadoula carries a difficult burden within her. Like a baton passed on to her from her mother, and the generations before her, she is meant to accept the belittling and degradation of women. Hadoula reacts. Her personal, internal revolution soon comes forth. The victims of her outburst are the little girls of the island, whom she sets free from the social and economic burden that their existence entails by taking their lives. Her actions will bring her face to face with the law. She leaves her home and escapes to her refuge, nature. But as much as her faith and morals dictate that she did the right thing, her trans-generational trauma follows her everywhere. And the end comes as redemption.

Fonissa

2023Movie