Acting
Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.
After his handler is killed, police dog Rex teams up with recently-divorced inspector Richard Moser to investigate crimes and solve mysteries on the streets of Vienna. And they sometimes get help from their two-legged friend, Inspector Stockinger.
Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.
Stockinger is an Austrian-made police television drama, with fourteen 45-minute episodes first aired from 1996 to 1997. The series is a spin-off from the popular Austrian television drama Inspector Rex, and focuses on Ernst Stockinger, one of the original members of the Homicide division or Mordkommission in German. Stockinger leaves the series to return to Salzburg where his wife has inherited a dental practice from her late father . He is appointed a Bezirksinspektor at the Landes Gendarmerie, sharing an office with District Inspector Antonella Simoni. Unlike the members of the team in 'Rex', who appear to be self-directed and are seldom seen to answer to senior management, Stockinger reports to Dr Brunner, a philosophising burecratic senior police inspector. Stockinger is portrayed as a clumsy, almost Inspector Clouseau-like character, driving a clapped-out 1973 VW Variant, but single-minded when following up clues.
A portrait of Austrian artist Gustav Klimt whose lavish, sexual paintings came to symbolize the art nouveau style of the late 19th and early 20th century.
Adaptation of Adalbert Stifter's novella. In the middle of the 19th century, a young painter sets off to visit his friend - Major István Murai - in Hungary. A completely new life opens up to him. He is mesmerized by the beauty of nature, takes his time on his journey and only reaches his destination after detours and with help...
In 1943, as Hitler continues to wage war across Europe, a group of college students mount an underground resistance movement in Munich. Dedicated expressly to the downfall of the monolithic Third Reich war machine, they call themselves the White Rose. One of its few female members, Sophie Scholl is captured during a dangerous mission to distribute pamphlets on campus with her brother Hans. Unwavering in her convictions and loyalty to the White Rose, her cross-examination by the Gestapo quickly escalates into a searing test of wills as Scholl delivers a passionate call to freedom and personal responsibility.
No description available.
As a young boy, future emperor Nero witnesses the mad Emperor Caligula kill his father and exile his mother. While in exile in the pontine islands, Agrippina, his mother, sees a vision telling her that her son can become emperor, but she will have to die first. She accepts the proposal. Back in Rome, Nero, now being raised by emperor Claudius after Caligula's death, Agrippina returns. She poisons Claudius' food and Nero becomes emperor. At first, Nero cuts taxes and introduces successful programs and invades Brittania. Soon he meets a beautiful slave named Claudia Acte, and marries her, throwing off his engagement with Claudius' daughter, Claudia Octavia, telling her she can marry someone she will be happy with. Heartbroken, she arrives at an island and kills herself. Nero enjoys being married to Claudia Acte, but soon he gradually goes mad with power and sets fire to Rome.
Andreas and Stefan lead a happy and passionate life: Together with their beloved tomcat Moses, they live in a beautiful old house in Vienna's vineyards. They work as a musician and as a scheduler in the same orchestra and they love their large circle of friends. An unexpected and inexplicable outburst of violence suddenly shakes up the relationship and calls everything into question - the blind spot that resides in all of us.
71 scenes revolving around multiple Viennese residents who are by chance involved with a senseless gun slaughter on Christmas Eve.
Claudia makes Katrin to work for her provider for Claudia's material security and to leave the "shitty work outside". They are both prostitutes. Katrin learns that the price for being independent is high and goes with physical destruction.
The protagonist, Franz, copies the paintings of old masters. He slowly loses his sense of reality, resulting in angst-ridden fantasies and a desire for self-destruction. Franz has an uphill battle with the loss of values and spread of capitalism around him. He rejects advertising to the point of destroying its manifestations.
A triple suicide derails the life of many people.
Georg works up at the highway. He collects the toll from the tourists; he collects the toll from the truck drivers. All of Europe has to go by him. Below, in the shadow of the mighty bridge, Georg lives with his parents in an old farmhouse with its empty stall. Georg makes a career for himself. And then, he falls in love with a young farm woman. He must decide between love and his job.
In the summer of 1807, Clemens Brentano stumbles into the most extreme love affair of his life. The woman, who, aged barely 17-years-old, throws herself at him with such terrifying brutality, is called Auguste Bussmann.
We are introduced to seven different people during the course of 20 minutes. What at first appears arbitrary gradually combines to make a whole, specifically integrated for the nineties.
A semi-documentary feature about one of the biggest criminal cases in Austrian history – the letter bomb attacks of Franz Fuchs.
A movie about the possibility to be happy—or about the impossibility of the same. A young man interviews people on the street. He asks them about the substance of their lives in order to find answers for himself, but he cannot find any. Then, a young woman: after a couple of disappointments, she finds the happy side of life—she finds something like love. They meet each other…
