David Oberkogler

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

SOKO Kitzbühel is an Austrian television series produced by ORF and ZDF. It is a spin-off of the German crime series SOKO 5113. It is set in the renowned Tyrolean tourist centre of Kitzbühel. The production company "beo-Film" has produced the show since 2001. The German abbreviation SOKO stands for Sonderkommission, "special commission", a task force with specific duties.

SOKO Donau is an Austrian television series.

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A fictional account of one year in the life of Empress Elisabeth of Austria. On Christmas Eve 1877, Elisabeth, once idolized for her beauty, turns 40 and is officially deemed an old woman; she starts trying to maintain her public image.

A portrait of Austrian artist Gustav Klimt whose lavish, sexual paintings came to symbolize the art nouveau style of the late 19th and early 20th century.

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Two worlds collide when two best friends from modest backgrounds who dream of a better life and two sisters who live their dreams - mainly with their parents' money. Love, lies and recklessness are inevitable.

Although to the outside world he seems like a perfectly normal insurance broker, Michael secretly keeps a 10-year-old boy locked in a room in his soundproof basement.

The insurance salesman Vincent Baumann, a cold-blooded careerist and minion of a merciless system, becomes a victim of the very corporations he is representing. Degraded to a henchman he grimly struggles to get back on the job market. He fights to climb the social ladder. In the process he realizes that there are other values than income and success. He decides against his previous ideology and for another human being, for Lisa Sokulowa. They don’t have a future. But they celebrate a small triumph against the dominance of the ruling system.

A movie based on the book by Christine Nöstlinger “Maikäfer, flieg! Mein Vater, das Kriegsende, Cohn und ich”

Harold May, an excellent Jewish-American tap dancer, on tour in Europe with his company, receives an offer from a German that is difficult to pass up: a large sum to put on a show in Berlin. The German does not know that Harold is of Jewish origins; the year is 1937 and, once they arrive in Germany, the company discovers that he will have to perform in the presence of Adolf Hitler.

The Graz chief investigator Sascha Bergmann and his colleague Eva Merz from the Spusi try to combine the official with the romantic, but unfortunately a routine case in the tranquil East Styrian hill country unexpectedly degenerates into work: What initially looks like the suicide of a drunk turns out to be poorly disguised murder! This in turn calls Bergmann's partner Sandra Mohr onto the scene, who puts herself in danger in her investigative zeal.

Haulage dispatcher Freddy Sternthaler suddenly finds himself hopelessly involved in an absurd dispute in the art scene and experiences what is probably the worst night of his life on an odyssey through Vienna.

Lola controls her personal life with the same ruthless efficiency she uses to optimize profits in her job as a business consultant. But when a tragic event forces the past back into her life, Lola's grip on reality seems to slips away.

Three couples in Vienna have children at around the same time. They're all in their mid-30s, successful, cool and live in a popular part of town. As idealistic as they are materialistic, they grow tomatoes on the balcony, drink locally roasted coffee and expensive cocktails and would never buy an electronic device sporting a half-eaten apple. And they're absolutely certain that you can have children without becoming bourgeois. But the reality tells a different story. Between career and kindergarten, Apple and alternative lifestyles, the satire plays cleverly with hipster clichés and mercilessly points up the gap between the old self-image and the new bourgeoisie.

Two police officers, Roli and Ferdinand, control the road users on WIener Höhenstraße. You are literally on the border between town and country.

Riding on their tuned-up bikes, Mati and her posse of male friends intimidate their neighborhood and harass the girls. In their village, they rule. But when her closest pal Sebastian falls in love with Mati and her enemy Carla unexpectedly turns into a friend, Mati is in danger of losing her standing among her male friends. Meanwhile Mati’s parents have a decision to make: What's more important, appearances or reality?

Through his work at a morgue, an incarcerated young man trying to build a new life starts to come to terms with the crime he committed.