Hisako Yamane

Dai-ni-bu: Aijô ruten: Kiyoshi Saeki directed movie

During the Edo Period, a noblewoman's banishment for her love affair with a lowly page signals the beginning of her inexorable fall.

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Jidai-geki by Kiyoshi Saeki

Film about a car dealer who gets into financial trouble.

The story of an airport and its air traffic control crew in a remote and northern Japanese town. Three of the air traffic controllers are female with one of them working with her dead fiancé's sister. The engaged man had gone to war and never returned.

Song of the White Orchid was a co-production of Toho and Mantetsu, the railway that served the colonial region of Manchuria, and the first film in the Kazuo Hasegawa/Shirley Yamaguchi (Ri Koran) “Continental Trilogy.” Handsome Hasegawa (representing Japan) runs up against an impertinent Yamaguchi (representing the continent); not surprisingly, in the course of the film the woman comes around and realizes the benevolent intentions of the Japanese. In Song of the White Orchid Yamaguchi leaves Hasegawa, who plays an expatriate working for the railway, because of a misunderstanding. She joins a communist guerilla group plotting to blow up the Manchurian railway. Learning of the subterfuge that led to the misunderstanding, she renews her faith in Hasegawa—and by extension Japan—and tries to undermine the plot.

Adapted from the original work by the literary giant Yasunari Kawabata. Through the lives of three sisters each following their own path, the film offers a richly poetic exploration of what constitutes happiness for women.

Iemon Tamiya is an impoverished masterless samurai who craves a better life, which he cannot have because of his marriage to Oiwa, who is completely devoted to her husband.

Part 2 starts where the first film ended, with Iemon disposing of the bodies of his wife and Kohei, marrying upward, and being blackmailed by the evil Naosuke.

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A melodrama of the ups and downs of youth, based on Bunroku Shishi’s popular novel. Chiharu, a ballerina, and Shinichi, a thorough rationalist and childhood friend. A woman named Tomi Funakoshi appears in front of the two, who are thinking of getting married someday.

Mokichi Asai is a widowed father living in Nara with three daughters—Chizuru, Ayako, and Setsuko. The youngest, Setsuko, plays matchmaker for her older sisters, leading to humorous and awkward romantic entanglements.

The story of the tender love between Junki, the son of a wealthy landowner, and Kayuki, the daughter of a forester, who decided to unite their destinies against their parents' wishes. Neither war nor years of separation could kill this love. It was only cut short by Kayuki's tragic death.

Once an average and seemingly ordinary Tokyo girl, she suddenly finds herself as a TV star owing to her discovery by a casting company, which noticed photographs that her cousin had sent. When another actress falls ill she is given the role instead. Her first film is a success propelling the young actress to popularity, her own fans, money and a house. While everything looks dandy from the outside not all is well within the family however.

It was supposed to be about a love story, but it was and was not. An aircraft mechanic working for the government is matched by his boss with the latter man's daughter (Setsuko Hara) who is both beautiful and aggressive. Yet, he picks a woman who is less assertive as his bride.

The young Takako Kuramoto has come to Tokyo to study and starts working for the rich Tashiro family as tutor of the daughter, Kumiko, while she receives attention from her two older brothers, Yukichi and Shinji. Meanwhile, the exact parentage of Shinji comes to light.

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Director Hiroshi Inagaki's early version of the life and death of famed swordsman Sasaki Kojiro. Otani Tomoemon gives a brilliant performance as Sasaki Kojiro, who rises from humble beginnings to national fame, and a young Toshiro Mifune appears as the legendary master swordsman Miyamoto Musashi for the first time and essentially sets the standard for future portrayals.This masterpiece is based on the original story as written by noted author Murakami Genzo and is far superior to any other versions. Following Kojiro from his earliest days through his fateful meeting with Musashi, this movie is filled with exciting and dramatic moments culminating in the best version of the final duel ever seen on film.

Japanese mystery thriller.