Costume & Make-Up
The Mike Douglas Show is an American daytime television talk show hosted by Mike Douglas that originally aired only in the Cleveland area during much of its first two years on the air. It then went into syndication in 1963 and remained on television until 1982. It was distributed by Westinghouse Broadcasting and for much of its run, originated from studios of two of the company's TV stations in Cleveland and Philadelphia.
Wealthy entrepreneur Bruce Wayne and his ward Dick Grayson lead a double life: they are actually crime fighting duo Batman and Robin. A secret Batpole in the Wayne mansion leads to the Batcave, where Police Commissioner Gordon often calls with the latest emergency threatening Gotham City. Racing to the scene of the crime in the Batmobile, Batman and Robin must (with the help of their trusty Bat-utility-belt) thwart the efforts of a variety of master criminals, including The Riddler, The Joker, Catwoman, and The Penguin.
Ex-gangster Tony Banks is called out of retirement by mob kingpin God to carry out a hit on fellow mobster "Blue Chips" Packard. When Banks demurs, God kidnaps his daughter Darlene on his luxury yacht.
On a fateful San Francisco night in the early '60s, Condor nightclub performer Carol Doda was lowered to the stage on a floating piano, topless. Word spread quickly, setting off a wave of controversy and delight, with raids soon to follow. There was even a trial for the new celebrity. Doda's dry wit and charisma made her an instant sensation of the night club scene: an empowered woman in full control. Or so it seemed.
A documentary analyzing the social, political and cultural climate of Hollywood in the mid-1960s.
A satirical film on fads in the US. A TV host on a late night show tries to convince his viewers that they should return to Rome and Roman ways.
A man enjoys the salad days.
The Lost Record is a sci-fi rock ‘n’ roll essay fantasy film about art, music, fetish, creation, love, & records. Based on the LP "The Lost Record" by Escape-ism.
Often cited as the “first fashion film,” Claxton used this is an experiment of women’s imaginative ways of creating self-image. In the sixties, while defining female sexuality through fashion and the world of power in art.
