Shiro Mizutani

A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.

Two broke sweethearts wander war-scarred Tokyo on a single Sunday, stretching 35 yen as they chase housing, small pleasures, and a little hope.

The Blue Pearl depicts the interplay between a young man from Tokyo and two ama (pearl divers; literally “women of the sea”) in a superstitious coastal town. Though raised within the same tradition-bound crucible, the two women – Noe and Riu – are portrayed as diametric opposites; the former meek but affectionate, the latter strong-willed but jaded by a tryst with metropolitan life.

Masako, the daughter of an impoverished itinerant tinsmith, wins a grammar school composition contest with an essay about her neighborhood. The much publicized essay ends up causing the family problems and their chronic money troubles threaten Masako's further education.

Three humorous love stories set in rural Japan.

Chocolate and Soldiers (チョコレートと兵隊, Chokorēto to Heitai) is a 1938 Japanese war film directed by Sato Takeshi and one of the most effective Japanese propaganda films of the late 1930s. The American director Frank Capra said of Chocolate and Soldiers "We can't beat this kind of thing. We make a film like that maybe once in a decade. We haven't got the actors. It shows the common Japanese soldier as an individual and as a family man, presenting even enemy Chinese soldiers as brave individuals. It is considered to be a "humanist" film, paying close attention to the human feelings of both the soldier and his family. Cinema theorist Kate Taylor-Jones suggests that Chocolate and Soldiers provided "a vision of the noble, obedient and honourable Japanese army fighting to defend the emperor and Japan.

A female doctor's story of her life in an isolated leper colony.

1946 Toho film directed by Kiyoshi Saeki

A novice city-based teacher's first assignment is to a fishing village's grade school. The young teacher's first week with her new students is enjoyable, but she gradually notices that many of the students are skipping school. Visiting her students after class, she realizes that many of them are charged with work and tasks like making money, toiling on the farm, doing housework or tending to their younger siblings. Many of them live in unhygienic homes due to poverty or overwork. She not only reports and explains the situation to the school's principal, but also attempts to improve the conditions by making textbooks, teaching cleanliness, and making her classes relevant.