Rudolf Klix

Mecklenburg, 19th century. For generations, the Brand family of farmers has worked a piece of land as tenants of the baron, who owns almost all of the village's land. The baron himself comes from a family of farmers who became rich through corruption and were ennobled. He is the absolute potentate, no one dares to contradict him, he takes what he wants and stops at nothing in his excesses. At the same time, he is the center of petty bourgeois, bigoted social life. Johann, the stable boy, wants to marry Mariken Brand and asks the baron for a piece of land so that he can build a life of his own. But the lord is harsh, not only refusing him the land, but also increasing the rent. Johann rebels, trying to rouse the farmers in the village from their lethargy—in vain. Only when Mariken dies does the mood change. A peasant uprising breaks out, and Johann kills the baron.

This film is the first of a two-part historical and biographical portrait of the communist politician and anti-fascist Ernst Thälmann. In early November 1918, Ernst Thälmann is an unwilling soldier serving on the western front. As the revolutionary movement at home is threatened by the betrayal of the Social Democrats and fissures in the working class, Thälmann calls on his fellow soldiers to put down their weapons and unite with the workers in the communist struggle at home. Thälmann’s qualms about which side he is fighting on continue, but when the local police attempt to prevent a shipment of provisions and supplies from reaching the people in Petrograd, he intervenes and the ship is unloaded. With this moment of clarity, Thälmann continues to follow his political convictions and joins the workers at the Hamburg uprising in October 1923.

In 1885, famous New York Metropolitan Opera singer Maddalena dall' Orto is scheduled to perform at a festival in the German residence of Ilmingen. It soon becomes obvious that she is non other than Magda von Schwartze, who left the town eight years ago against her father's wishes to become a singer.

In the Werra valley near the border is one of the five soda factories of the GDR that once belonged to the powerful Solvay group. After the war, they moved the headquarters from Berneburg to Frankfurt, but some people loyal to the groups bosses remained to sabotage the production in the now nationally owned factory.

On his travels, Paul, a journeyman from northern Germany, runs into a childhood friend, Lisei, a puppeteer's daughter. They fall in love and get married. Together with Lisei's father, the young couple moves to Paul's hometown. Although Paul himself is accepted - even respected - by the stuck-up and snooty citizens, the young woman is rejected by the town dwellers, who are imbued with class arrogance. Paul stands up for his wife but the scorn and abuse heaped on her weigh heavily upon him.

A man searches for a cursed emerald belonging to his ancestor. Lost film, minor fragments survive

A musical film based on biographical facts about Clara Wieck's love for composer Robert Schumann (1810-1856), her marriage against her will, Schumann's triumph, and his tragic end due to mental illness. The film is beautiful and entertaining, full of noble spirit and beautiful words about art and love, which only conflict in a theoretical context; not least thanks to its solid cast, this film is quite serious and far from kitsch. Completed in 1944, during World War II, the film was rejected by the Nazi leadership, but was eventually released and enjoyed success with an audience already weary of war.

Lufthansa captain Hans Droste is friends with English pilot William Crossley, who saved his life during the war. Having just landed in Berlin, Hans receives a telegram from his friend urgently asking him to fly to London and check on his dying uncle, Sir Reginald Crossley. Sir Reginald has only one wish: he wants to right a past wrong and asks Hans to find a girl to whom he wants to bequeath a third of his fortune.

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