Directing
From his truck, rising online star Štefan Pongo streams his political rants and creates social media movements that go viral, in support of Romani people across Europe.
A crew of enthusiasts sets out in a monoxyl, a vessel carved from a tree trunk, on a journey across the Aegean Sea. Their goal is to verify how the first farmers could have traveled from Asia Minor to Europe 9,000 years ago. The documentary reveals new facts about ancient European history.
The anatomy of a relationship between an inexperienced high school student and a grown man, a pilot. Their unexpected rapprochement soon runs into the misunderstanding of the family and the initial infatuation is replaced by a gradual cooling.
How were everyday items made centuries ago? In a new documentary series, the best Czech craftsmen revive period methods to create replicas of historical artifacts. Objects preserved across the gulf of time tell unknown stories about skill, materials, intelligence, taste, technology, but also about the cruelty of our ancestors.
Thursday morning, Jerusalem. Nira goes to work. Ahmad in London does the same, Ralf in Cologne and a priest in Prague too. Matija, Croat, goes to work as well. Ok, he doesn't, but he acts as if he does. Ahmad is taking his routine red bus journey. Out-of-breath young man comes in and interrupts it. Schoolteacher Nira is also interrupted - her pupil jumps out and performs a love rap song he wrote for her. The priest in Prague doesn't feel like singing today, he is in the mood for (over)sleeping instead. Someone falls asleep, someone else - Ralf - falls in love. All five mentioned above are listening to the top-news about the disappearance of bees. And trying their best, each one of them in his or her own 'hive': Zagreb, Jerusalem, London, Cologne, Prague...
This cinematic reportage with elements of a personal journal explores xenophobia in Czech society and anti-Nazi activists, but also the filmmaker’s personal experience from living among in an socially excluded Romani neighborhood. Most of the footage was shot by the director using his own camera, and the immediacy of the images is further accentuated by voiceover observations and commentary. In just a few scenes, he adds music for dramatic affect. With his direct questions, he tries to unmask the racist arguments not only of anti-Roma protestors, but also of many ordinary citizens.
