Gerhard Respondek

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Just as a large payroll transport operation for a major company is being carried out by several employees of London's Celtic Bank, shots suddenly ring out. The man behind the wheel of the car is hit. Then everything happens in a flash and the culprits escape with a large sum of money. The chauffeur had to give his life for 6000 pounds. Scotland Yard, in the form of Inspector Varney, investigates and strongly suspects that the crooks are not professionals. Scotland Yard Inspector Varney is wrong: what initially looks like a simple routine case turns out to be a tough nut to crack. Not least because he has to deal with a great unknown who operates in the background and keeps throwing sticks between the investigator's legs. Who is this man behind the scenes?

Colonel Maratka and Major Kalasz, employees of the Czechoslovakian defense forces, are facing a difficult task. They must complete a mission that is important for the security of their country. The Prague headquarters of the state security service had previously received information from the GDR that West German military intelligence had apparently succeeded in deciphering the secret code B/13 used in the field of missile armament.

At a farm-equipment plant, production lags at 89 % and a new, untested combine proves a “failure” in the fields. A promising redesign exists, crafted by a transplanted West German engineer, but he’s mistrusted. Meanwhile, workers and the Party secretary blame plant director Berendonck’s poor leadership. As harvest season looms, personnel upheaval and swift action are needed to install the reliable new machine and get production back on track.

A man being discussed by two young ladies is wrestling with death. How did it come to this? In the plot of this crime drama, false and real feelings are revealed, and then a suspicion is confirmed that could help to clarify the matter. One thing is clear: THE MAN has the last word.

In spring 1946, Warsaw historian Wojtek arrives in a Polish provincial town to study the Renaissance. He soon becomes entangled in the fierce postwar power struggle between the Soviet-backed People’s Government—nationalizing industry and land—and reactionary exiled forces waging “bandit terror,” from train robberies to political assassinations. As violence escalates, Wojtek shifts from observer to active defender of the new “people’s power.”

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