Jean-Luc Caron

In 2257, a taxi driver is unintentionally given the task of saving a young girl who is part of the key that will ensure the survival of humanity.

A beautiful felon, sentenced to life in prison for the murder of a policeman, is given a second chance – as a secret political assassin controlled by the government.

After a wizard's spell goes awry, 12th-century Gallic knight Godefroy de Papincourt, Count of Montmirail finds himself transported to 1993, along with his dimwitted servant, Jacquouille la Fripouille. Startled and perplexed by modern technology, the duo run amok, destroying cars and causing chaos until they meet Beatrice de Montmirail, an aristocratic descendant of the nobleman, who may be able to help them get back to 1123.

In a post-apocalyptic world, the residents of an apartment above the butcher shop receive an occasional delicacy of meat, something that is in low supply. A young man new in town falls in love with the butcher's daughter, which causes conflicts in her family, who need the young man for other business-related purposes.

The sequel to The Visitors reunites us with those lovable ruffians from the French Medieval ages who - through magic - are transported into the present, with often drastic consequences. Godefroy de Montmirail travels to today to recover the missing family jewels and a sacred relic, guarantor of his wife-to-be's fertility. The confrontation between Godefroy's repellent servant Jack the Crack and his descendent, the effete Jacquart, present-day owner of the chateau, further complicates the matter.

Harry Donovan is an art forger who paints fake Rembrandt picture for $500,000. The girl he meets and gets into bed with in Paris, Marieke, turns out to be an arts expert Harry's clients are using to check the counterfeit picture he painted.

Laurent hasn't seen his father since the age of two. His father has just had an accident. He almost died. Laurent refuses to go see this father who always acted as if he didn't exist. Julie, his girlfriend, tries to convince him.

A French man recalls his moviegoing adventures at a now defunct titular theater as a journalist for the film magazine Cahiers du Cinéma during the mid-1950s.

During a polar expedition, Kelvin and Max leave their wounded Inuit guide behind them. Two years later, on the very same date, they meet by accident in a deserted museum. The past comes back, and the evil shadow of the Tupilak is not far away