Andrei Butica

Relu is a family man. He has two children, a wife and a double life. Seen through the eyes of his family, Relu Oncescu appears to be an ordinary taxi driver. No one suspects that Relu works as a collector for Capitanu', a local mobster. Neither of the two worlds (his family and the mafia) knows of the other's existence. Relu manages to keep everything under control, but not for long. After accidentally killing a man, he tries to get out of the underworld, but he can't find his way back. Day by day, the secrets he keeps become increasingly oppressive and the lies begin to surface, one by one.

Reliable 30-something Rux’s plans to leave Bucharest to join her long-distance lover in LA are upended when her boss assigns her to his wife’s mayoral race and pairs her with a know-it-all colleague.

After suffering terrible headaches and stomach cramps, Mr. Lăzărescu, a lonely 63 year-old man, calls for an ambulance, beginning one man’s hellish journey through Bucharest hospitals in search of proper medical care. As the night unfolds, his health starts to deteriorate fast.

Child's Pose is a contemporary drama focusing on the relationship between a mother and her 32-year-old son. After the accidental killing of a boy in a car crash, the mother tries to prevent her son being charged for the death, and she refuses to accept that her son is a grown-up man.

Toma and Ana meet as students in the literature faculty, and quickly fall in love. But, because of Ana's mental illness, their relationship slowly collapses.

Growing up without her parents, who had gone to work in the West, Flavia became a tough but distant teenager. The routine that keeps her safe and emotionally isolated is disrupted when two young children who have run away from home seek shelter with her.

Marius is a divorced man in his late thirties. His five year-old daughter Sofia lives with her mother, which causes Marius a deep frustration. On the day Marius arrives to take his daughter on their annual holiday, he is told that she is ill but he doesn't believe it and insists to take her with him. The situation soon gets out of control with all the family taking part in a web of humor, violence, childish songs, police interventions and love statements.

A theatre director intends to make a revolutionary version of Hamlet. It all starts with finding the right actors and putting their lives in danger.

The Holy Week, around 1900, somewhere in Romania. The tense relationship between the Jewish innkeeper Leiba and Gheorghe, his Christian employee, reaches the point where the innkeeper decides to expel the latter. Revengeful, Gheorghe promises Leiba that he will return on Easter Night to “settle” his accounts. This threat comes as a last straw against Leiba’s attempts to cohabit with his hostile, anti-Semitic environment. From then on, Leiba will struggle distinguishing between the real danger and the one fabricated by his anxieties, engaging onto a path of transformation leading to extreme consequences.

Roman returns to the land near the Ukrainian border he has just inherited from his grandfather. Fully decided to sell this vast but desolate property, he is warned by the local cop that his grandfather was a local crime lord and his men will not let go of the land - and their smuggling business - without a fight.

On a seemingly normal evening, a young girl has the misfortune of encountering the wrong people. For her, this turns into a nightmare in which she is not even sure if she will survive the night...

A meticulous ambulance driver working in poverty-stricken Bucharest, who takes part in an armed robbery together with three men he barely knows. As the robbery ends in disaster, Bogdan starts a thorough, almost compulsive investigation to dig up the true identities of his accomplices, but the more he discovers, the deeper he sinks into a spiral of fear and paranoia.

Dragos Binder is doing research in order to write a fiction film based on the true event of his parents fleeing the country in the 80s communist Romania, but then he changes the subject, moving the camera lens on himself.

For the people living on a street in downtown Bucharest, the torture has started a few days previous, when a construction site was set up on their street.

In Bucharest on a winter’s morning, a couple make love. Adina wants to move in with her boyfriend Radu as soon as possible. He, on the other hand, is slightly more reluctant but appears to simply tolerate her plans. Today is New Year’s Eve and Radu and Adina have a lot to do: the two have planned a visit to Adina’s parents followed by a party with friends. While buying last-minute gifts at the supermarket, Radu thinks he spots ex-girlfriend Nadja, who he has never forgotten. In one small moment, Radu’s insecurities about Adina come bubbling to the surface. No sooner have the corks begin to pop, the relationship comes to an abrupt end. This is followed by the perfectly timed offer from Radu’s friend Alex to hit the town with him and his friends. Radu accepts the offer in the hope that Nadja is also out. Director Paul Negogescu draws a portrait of Radu with precision and subtle irony – and captures the atmosphere of a New Year’s evening with great authenticity.

Robert is a young writer passing through a difficult time in his life. He decides to return home into his native village for the first time since his mother passed away three years ago. In more than 10 years, he paid only few visits to his parents and this fact is reflected by the distant relationship Robert has with his father. As it happens, he meets two former classmates: Petrica - his old best friend, now married with children and Paula- his teenage sweetheart. She is divorced after an unhappy marriage and is now working at a local store. She doesn’t seem to be engaged in a relationship…

Stefan, the only surgeon available, takes on one final patient after working a 31-hour shift. In what should have been a simple procedure the 8-year old boy dies on the table. In this powerful short, the corrupt Romanian health care system is put under close scrutiny upon the backdrop of sorrow, payoffs and threats.

Four people meet in a bar. Two of them know exactly why they are there. The third has a pretty good idea. The fourth is in for a bit of a shock...

Three men go into a pub. The first man has too many questions. The second man has the perfect plan. The third man has no chance.

One perfect house. One perfect marriage. One perfect Sunday morning.