Sjuman Djaya

Adapted from Achdiat Kartamihardja's novel of the same name. It follows a young Muslim man named Hasan who, through his interactions with others, loses his faith.

The wedding plans of Oma and Ani are shattered due to the presence of Ir. Dana in the plantation where Ani’s father works. As her father is ambitious and wants a higher position, he wants Dana to become Ani’s husband. Ani works in the plantation as a secretary and Dana is interested in her but she does not reciprocate. Ami and Oma are having a long-distance relationship and things start to change when Oma does not come on her birthday. So she goes to Jakarta and finds Oma in the middle of persuading his singing partner, Shanty, who is sulking, to finish a recording. Suspicious and jealous, Ani goes straight home and decides to marry Dana. Oma is shocked to receive the invitation. He goes home and the root of the problem is uncovered.

A man is murdered, his wife is kidnapped and their young son is thrown into a ravine. The child grows up with a deformity and is known around the village as Si Bongkok ("The Hunchback"). After receiving martial arts training, he seeks revenge on the man who killed his father.

A rare film that was censored for many years, the story featured protesting university students in the process of self-discovery.

Parmin is always rejected by his wife, Sinta, when he wants to have sex. Sinta was traumatized by her half-sister and stepfather, so she married Parmin to cover up her pregnancy. Sinta falls into a lesbian relationship with Sumiyati, who is a lesbian because all her sisters are women, and her relationships with men are strictly monitored by her parents. Sumiyati already has another girlfriend, Novita, a wife who has a husband with another sexual disorder: sadism. Sumiyati was "raped" by her sister-in-law, and started to have feelings for men, especially when she also played with Parmin, instead of introducing Sinta to Novita. Sum also then falls in love with young man Arman. Sinta-Novita's relationship didn't last long, because her husband, who was abroad, returned home. Sinta speeds off using Novita's gift car and dies.

Doel, a child growing up in a Betawi society, who is trying to break the pragmatism of the society that considers the Betawi people to be conservative by getting as high an education as possible. After his father's death in an accident, he and his mother becomes a seller to survive.

Back when urbanization was a new phenomenon, this film captured the aspirations desired by three young men from North Sumatera of Batak ethnicity. As the case with other regional area, people from the rural realm were convinced that their way of live is inadequate, so that they "need" to make it in the city, or bust. So Sabar, Tigor and Sahat went up and down their luck in order to find their desired "gold" in a strange land.

Miranti is left a widow after her pilot husband dies in an accident. She forces herself to work independently, despite feeling alienated. She soon learns that her brother-in-law Dimas cares greatly for her. Miranti ultimately realises that his feelings are more than just pity, and the two can unite.

Oni is an orphan who is born blind. She is adopted by a cart puller. Despite of his blindness, Oni can cure diseases. So when her adopting parent dies, someone else takes care of her. But ever since her village is pillaged Oni lives on as a wanderer.

Intertwined stories of Joko, a boxer, and Rum, the daughter of a general.

To save her daughter, Fatima agrees to be sent to Malaya to work as a sex slave for Japanese soldiers. There, she joins with the resistance to help destroy a Japanese base, but finds herself taken prisoner and turned into a sex slave a second time after being captured by Dutch Indies officers.

Ganjar and Retno plan to marry, but this fails. Then with Inten, Retno looking for jobs but they are trapped by Joko. Retno realises she is going to be used by him and manages to escape.

Rhoma and Ricky not only have a different taste in music but also differ in the way they live. Rhoma tries to promote Dangdut music and has a religious life, while Ricky likes rock and has a reckless and free lifestyle. Ricky, who is also a good boxer, joins the group, Apache, and becomes the lead. He becomes angry when he hears that Rhoma’s music group has a successful performance in Jakarta. Ani, who was a singer in the Apache group, starts to change. She prefers Rhoma and is getting tired of all the drinking and drunkenness. Rhoma and Ani start dating and get engaged. Conflict between the two groups becomes heated. Rhoma is tortured and his hand crushed so he cannot play guitar anymore. Wounded, Rhoma goes to a teacher in a secluded village. Here, his wound is healed and he is taught martial arts. After returning from the village, he finds that Ricky is raping Ani. So a final fight ensues, and this time it is Rhoma’s turn to crush Ricky’s hand.

Lono is a thief who steals from the corrupt on behalf of the poor.

Following the trend for dangdut musicals, such as the successful ones starring Rhoma Irama, Elvy Sukaesih, and A. Rafiq, this film even features a lead actor who looks like Rhoma Irama, and the character also uses a similar name. Herry Irama has always wanted to be a singer. He is fired because he is considered undisciplined. His hard luck worsens when his father kicks him out of the house. Then his first effort to apply for a job in a recording company is rejected and he ends up being a gardener in the house of a famous dangdut singer, Diana Yusuf. His dream is starting to come true when Diana Yusuf starts to fall in love with Herry.

Amidst the election rivalry of two villages for the village head post, Cigugur and Cijulang, a troupe of Ronggeng artists, with its prima donna, Sari, arrives at the sub-district center for their regular performance. Sari and Dadang, the son of the Village Elder of Cijulang, are in love with each other. Dadang is also running as a candidate in the village head elections. But Ohim, the son of the Cigugur Village Elder, is also madly in love with Sari. He gets even more daring after a humiliating incident when he tries to touch Sari’s hair bun on the ronggeng stage. The touching of the hair bun is one of the rituals in the traditional art of Ronggeng. Dadang’s father is angered by his son’s relationship with Sari, since it could jeopardize his candidacy as the head of the village.

Office clerk Mamad breaks his ethics and steals a pack of paper from his office while preparing for his seventh child’s birth. Haunted by guilt, an opportunity to confess seems to always elude him.

While it is uncertain, the film is believed to be inspired by the story of Nyai Dasima, about the terrible fate of a rich widow who ends up as a murder victim because of her wealth.

Legendary directors Wim Umboh and Sjumandjaja, decided to experiment by producing a script being written at the same time of the shooting. Mama is a complex story with two seemingly unrelated narrative threads. The first story revolves around Sanca and Anani. The second is about Ulli and Pandji, and in between the two stories is a third narrative, about Ulla, a religious prostitute and Ulli’s sister, and Suwaka.

A little boy is told the tale about the development of Jakarta, when a village was divided into two, and causing the people to oppose each other. On one side, there is Anton while the other side is lead by Mahmud. Maulana, the village boy whom Anton has adopted, falls in love with Laila, the sister of Mahmud. This love affair irritates Majid, Mahmud’s right-hand man, because he has loves Laila, long before her meeting with Maulana. Maulana and Laila refuse to take sides between the two opposing sides, and try to reconcile them. But a battle is inevitable. In the end, Mahmud kills Anton; but Mahmud dies at the hand of Maulana, his future brother-in-law. Then Maulana runs to Laila’s house and confesses. Laila forgives him, but Majid cannot. He orders a boy to steal the gun of Sabeni, an informant, and he shoots Maulana with it. While the intention was to make this film a musical, it didn’t work as the “realistic world” and the “musical world” could not blend fully.