Ivan Olbracht

A young and beautiful princess and her senile husband arrive at a castle near the village. The healthy air is supposed to help them with their busy heir. The princess accidentally meets the village shepherd Sochor and soon gives birth to a son. The young man from the village in question then marries and has only daughters. The princess returns after years with her clever son. He falls in love with Sochor's daughter, but her father drives him with a belt...

In 1930s Ukraine, the desecration of a sacred bath disrupts the sex lives of Jewish villagers.

It is 1920, political unrest is growing in Prague and the Social Democrats are about to betray their historic mission by prioritising their own selfish interests instead of those of the working class. An extortionist scandal falls on the Social Democratic deputy Jandák, forcing him to renounce his convictions. Under these circumstances, the seriously ill Hungarian revolutionary Kerekes, who had to flee his homeland, is hiding in Prague...

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The merging of reality with legend, the image of reality (Ruthenian Verkhovyna in the 1920s) and its reflection in people's minds - this is what characterizes the story of the modern Transcarpathian bandit Nikola Šuhaj, who "took from the rich and gave to the poor". Ivan Olbracht's novel from the 1930s, one of the artistic peaks of modern Czech prose, is a dramatic story about a war deserter, his love for the beautiful Eržica, a story about revenge for wrongs, persecution, betrayal and death. Šuhaj's fate merged with legends in people's memory. By combining elements of the past and the present, document and myth, the story turned into a ballad about how eternal and strong the human dream of freedom and happiness is.

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Based on an autobiographical novella by Ivan Olbracht, the film tells the story of Hanele Safarová, who grows up just after the First World War in a little Ruthenian schtetl which, in true Hassidic fashion, awaits the arrival of the Messiah. But Hanele decides to follow the Zionists instead. She moves to the city to prepare for her departure to the Promised Land, where she meets a successful businessman named Ivo Karadzic, who has renounced Judaism to become a free-thinker. Their love for each other doesn’t only drive Hanele’s parents to distraction, it also threatens to destroy the entire community in the schetl.

The story of a traveling comedy family that ends up in court, where young Fricek is charged with attempted murder because he protected his sister Olga from a rapist.

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The movie describes proletarian life in the Czech Lands after World War I.

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“The Carpathians are medieval!” one character bellows, and this tale of the tree-chopper Petro, his faithless wife Marijka, and various scheming businessmen and foremen does little to disprove the assertion. Interestingly filmed with a nonprofessional cast recruited from the region, Faithless Marijka may have a neorealist conceit, but its direction is utterly futuristic, filled with the lightning-fast montage techniques and low-angle camera of the Soviet avant-garde (along with its invigorating agitprop).

At the end of the First World War, Nikola Shuhai and his friend from the army desert. On the way home, to the village of Kolochava, they both find refuge with baby Jaga. Jaga mixes them a drink to protect them from the deadly bullets. The bachelors must promise to marry her daughters in exchange for a drink, or they will be punished. Nikola finds his home village in poverty. He stands against the powerful and the rich, and they turn the gendarmes against him. Nikola hides from them in the woods, where he will remain even after the end of the war, because nothing has changed for the villagers. Out of poverty and hopelessness, other men join Nikola and together they raid the wealthy. Nikola distributes the obtained booty to the poor and needy, who see him as their protector and hero.

Dramatic fates of people hidden behind a theatrical mask.