Monika Anna Wojtyllo

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

A show about two Bavarian police officers, Franz Hubert and Johannes Staller, who sometimes work a bit differently. Where Franz wants to follow regulations, Johannes likes to do things his own way.

Flight attendant Cassandra Bowden wakes in her hotel room hungover from the night before in Dubai with a dead body lying next to her. Afraid to call the police, she continues her morning as if nothing happened. In New York, she is met by FBI agents who question her about her recent layover in Bangkok. Still unable to piece the night together, she begins to wonder if she could be the killer.

Stubbe – Von Fall zu Fall is a German crime detective television series starring Wolfgang Stumph as detective Stubbe. It is being broadcast on ZDF, the second German public television channel since 1995.

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Charting the rise and fall of three corrupt real estate agents who accumulate absurd wealth in no time but fall into a vortex of fraud, greed and drugs.

An African-German Author loses his memory and is used by a modern National Socialist Party as promotion-figure for more political power over Germany.

Im Angesicht des Verbrechens is a German television series about the Russian mafia in Berlin. It received high critical acclaim, but the viewer figures were disappointing. It was broadcast by ARTE and Das Erste.

The story of an unlikely friendship which leads an unemployed and xenophobic German to teach a young African immigrant how to ice skate.

A story about Janina Duszejko, an elderly woman, who lives alone in the Klodzko Valley where a series of mysterious crimes are committed. Duszejko is convinced that she knows who (or what) is the murderer, but nobody believes her.

After a few years working like intern, Till, eventually becomes head of his own company, job counseling for young trainees. In turn, comes Sydelia, left-wing activist, idealist and combative. Their paths will soon cross youth. She is determined to start it the capitalist world in which we now live in a revolutionary way. But really, two people so different can be attracted?

Bruno is not just any cop. He is Boom Boom Bruno, the district's cowboy. Everything here is under his control. His criminals, his hookers, his boss. He is thrilled with his new partner Mark – it's up to him to teach this insecure boy to be a real man with balls. When a drag queen is found dead on his turf, however, both Bruno and Mark must fight their own prejudices and meet resistance coming from all sides to solve the case.

Florian and Marie want to spend a cozy evening on the sofa watching a movie. But that's more difficult than expected: the couple navigate through a digital world full of streaming portals, voucher codes, delivery service apps and broken remote controls and keep tripping over themselves in the process.

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

Tobias and Flasche are childhood friends. However, their alcoholic friendship is doing more harm than good to Tobias, who realizes he should focus on his family and career. Everything changes when Tobias tells this to Flasche.