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Arthur Hiller

Arthur Hiller

Directing

Biography

From Wikipedia, the free encyclopedia.   Arthur Hiller, OC, was a Canadian-American television and film director, having directed over 33 films during his 50-year career. He began his career directing television in Canada and later in the U.S. By the late 1950s he began directing films, most often comedies. He also directed dramas and romantic subjects, such as Love Story (1970), which was nominated for seven Oscars. Hiller collaborated on a number of films with screenwriters Paddy Chayefsky and Neil Simon. Among his other notable films were The Americanization of Emily (1964), Tobruk (1967), The Hospital (1971), The Out-of-Towners (1970), Plaza Suite (1971), The Man in the Glass Booth (1975), Silver Streak (1976), The In-Laws (1979) and Outrageous Fortune (1987). Hiller served as president of the Directors Guild of America from 1989 to 1993 and president of the Academy of Motion Picture Arts and Sciences from 1993 to 1997. He was the recipient of the Jean Hersholt Humanitarian Award in 2002. An annual film festival in Hiller's honor was held from 2006 until 2009 at his alma mater, Victoria School of Performing and Visual Arts. Description above from the Wikipedia article Arthur Hiller, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Known For

Matinee Theater
5.3

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Matinee Theater

1955Series
The Detectives
6.7

The Detectives is an American crime drama series which ran on ABC during its first two seasons, and on NBC during its third and final season. The series, starring motion picture star Robert Taylor, was produced by Four Star Television. Captain Matt Holbrook (Robert Taylor) is head of the detective division of a large metropolitan police force—a man whose devotion to duty, professional brilliance, and quick judgment are reflected in his 20-year career on the force. His aides, Lt. Johnny Russo (Tige Andrews), Lt. Otto Lindstrom (Russ Thorson), and Sgt. Chris Ballard (Mark Goddard) form a team that is both proficient and warmly human. The stories stress the interrelationships between the men as well as the solutions to crimes and the apprehension of criminals, adding a dimension of human drama to the excitement, action, and suspense inherent in each story of the detectives' difficult, sometimes thankless, and frequently dangerous assignments.

The Detectives

1959Series