Laurent Navarri

Maria Angeles, a 79-year-old Spanish woman, lives alone in Tangier, Morocco, and enjoys her daily routine. However, her life is turned upside down when her daughter arrives from Madrid to sell the apartment in which she has always lived. Determined to stay, she does everything she can to get her home and her belongings back and, unexpectedly, rediscovers love and sensuality.

Back in Tunisia for her uncle's funeral, Lilia reunites with a family that knows nothing about her life in Paris, particularly her romantic life. Determined to uncover the mystery behind her uncle's sudden death, Lilia finds herself confronted with family secrets.

A middle-aged tailor and his wife find their relationship challenged by the arrival of a handsome new apprentice.

20-year-old Chloe leaves her dysfunctional family to follow a group of romantic outsiders and help the forgotten of society. During her travel through a shattered Greece, she will dream, fly, and fall in love but also she’ll realize that the true rebels are always alone.

Two soldiers, Daniel and Jerome, flee a war we don’t see and we know nothing about. Jerome is badly injured, he will die, he says it, he knows it, he is afraid. Then Jerome confesses to Daniel his last will: he does not want to die a virgin, he wants to die loved…

After breaking up with Boris, Lara returns to her hometown Barcelona. There, her friends, lovers and the Catalan traditions of the ’castells’ will change her dreams and desires.

Jesús López, a young racing driver, dies accidentally leaving his town in astonishment. His cousin Abel, a drifting teenager, gradually feels tempted to take his place in life.

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Ever since 25-year-old Gabi has lived alone in her caravan on the edge of the forest, a mysterious beast prowls around at night.

In 1928, Germaine Dulac shot the film The Seashell and the Clergyman, which was based on the script of the surrealist poet Antonin Artaud. However, their co-operation ended in dispute which in fact culminated during the premiere of the film on February 9, 1928 at Studio des Ursulines. That night, as well as the scandal it caused, was indelibly printed on film history. Shot in the same cinema as that of the premiere, this documentary gives an account of the attack and booing against Dulac, primarily provoked by Antonin Artaud, André Breton and Louis Aragon. Alain Virmaux, a connoisseur in surrealism and particularly Artaud’s, recounts the period prior to the premiere and expounds the different versions of that night. Also, the documentary pays tribute to the Ursulines Studio, a landmark cinema of 1920s avant-garde film.

Lila suffocates in her brother's hospital room, she his the road. Vintimiglia. Women are loading a truck for a food distribution for refugees who try to cross the border. It's ramadan, they must eat before the prayer. Carrying bread loafs in her arms, Lila meets Youssef. Youssef doesn't speak a word of french and he's starving.

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