Acting
Song Fangting was pursued by Li Kangrui, and the two could fight hot, but unexpectedly, Kang Rui later empathized with Jian Ruoqi and broke up with Fang Ting. Fang Ting followed her mother's advice and became a dancer, but unfortunately met someone else. Fang Ting met Kang Rui again, and the two communicated again, but Ruoqi found out that she insulted Fang Ting in front of Kang Rui, embarrassing Fang Ting. Fang Ting was arranged to serve a general in Thailand, after which the general was killed, Fang Ting got his property and devoted herself to developing her career, and she joined the entertainment industry and became a celebrity. Unfortunately, in the end, Fang Ting ended up bankrupt and owed a huge debt, she married Ruoqi's father Jian Ruiming for money, and wanted to take revenge on Ruoqi, and the struggle between the two became more and more fierce.
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Keung, Ho, and Ching are good friends who grow up together. However, when Keung discovers that Ho killed his fiancée, he seeks revenge and uses Ching to gather evidence against Ho. The three men's relationship deteriorates, and they end up as bitter enemies. Keung is determined to bring Ho to justice by any means necessary.
This early leftist social drama from Hong Kong offers a panoramic portrait of a crumbling apartment complex and its down-and-out denizens, including a taxi driver, an unemployed teacher, a professional reduced to selling his blood and, of course, a venal landlord. In addition to establishing an omnipresent theme in Hong Kong cinema – the plight of the urban poor – the film is also a prime example of the popular melodramas of the time, which featured displaced Mainland film stars.
The swordsman Xie Xiaofeng and Yan Thirteen did not taste a defeat, the two met for a decisive battle, and Thirteen went to the appointment to learn that Xiaofeng had died. However, Xiaofeng did not die, he hid in a brothel and disappeared, hoping to quit the rivers and lakes. However, his identity was finally discovered, and he was retaliated by his old lover Murong Qiudi, and his belated decisive battle with Thirteen was finally staged.
Huo Dongjue is Huo Yuanjia's son, and he and Huo Yuanjia's apprentice Chen Zhen are dependent on each other. The two travel around the world, enjoying their grudges. Chen Zhen has always been strict with Huo Dongjue, hoping that he can grow into an upright and promising young man. The Japanese martial artist Sato wants to dominate the Chinese martial arts world. In order to combat Sato's gradually rising power, Chen Zhen decides to rebuild the Jingwu Sect. Sato was very unwilling to suffer the blow, so he kidnapped Huo Dongjue, hoping to get Chen Zhen into committing suicide. After learning that Huo Dongjue had been kidnapped, Chen Zhen was extremely anxious and immediately decided to bravely break into the tiger's den alone. However, there were so many enemies that Chen Zhen was outnumbered, and was eventually killed by Sato's trick. However, before his death, Chen Zhen was so heroic that he greatly weakened the power of Sato's party and promoted the glory of China.
A Hong Kong drama
Poor teacher Chan Chi-hong, his wife Lee Yuk-mei and their five children survive on his meagre pay. When he is laid off by two schools in a row, the family runs into difficulties. The children resort to begging on the streets to pay the mother's medical bills. Turning to writing, Chan's novel fails to find a publisher and, worse still, he comes down with tuberculosis. Dealt a further blow by the death of the youngest daughter and the pressures from the loan sharks, Chan contemplates killing himself and his family but changes his mind when he witnesses the sacrifices made by other parents for their children. He vows to be a dutiful father and tries his best to overcome their adversities. His novel is finally published and sells well. Through thick and thin, the family at last sees the light at the end of the tunnel.
Chan Sai-wah abides by his late father's word and marries the wealthy Yam Suk-kuen. They have a son, Kwok-leung. Though Wah is manager of the hotel owned by his father-in-law, Kuen is not a good wife. For all the years of their marriage, Wah has never been happy. Attracted to the humble and honest Carrie Mui, Wah decides to leave his domineering wife Kuen, but is stopped by his father-in-law. The lovers set off to Macau for a new start. Their life has become increasingly miserable under the pressure from Yam's family. When Wah leaves to seek help from his son in Hong Kong, Carrie decides she should leave so that Wah can go without feeling any guilt or burden. On the other hand, Wah is too ashamed to face his son, and returns to Macau. He lives his life in misery. Years pass, the lovers meet again. Wah is reduced to begging in the streets while Carrie becomes an opera diva.
Early Shaw Brothers thriller.
Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.
When a young street thug becomes friends with the headmaster of a school, he gives up the triad life to enroll in the school.