Larry Miller

Cornish fisherman John Lewis is waiting for a stroke of luck which will give him the money to pay his debts and rid himself of his wife and his trawler Heather Ann. One day he nets a torpedo...

Royce Hagan returns from the sea to claim and inhabit a 2000 acre ranch in one of the last wild places left in central Florida. Old family friend Booker T Robertson is welcoming but warns him not to get "too close" to a strange family living in the woods nearby. Royce falls in love with Twyla, the oldest daughter, and discovers the bizarre secret of the Hole in the Wall and the enchanted people who live there.

On March 24, 1979, The Kitchen presented a two-part program dedicated to the work of various Fluxus artists. The programming began with the premiere of Alison Knowles’s “Natural Assemblages and the True Crow.” For the piece, Knowles engaged in a dialogue with her own taped voice, which read aloud selections from various natural history books. Simultaneously, violinist Michael Goldstein provided an improvised score while dancer Jessie Higgins executed a number of one-movement phrases by following instructions on index cards. The second part of the night’s programming consisted of forty rapid performances—most sixty seconds or less—by various Fluxus members, including Yoko Ono, George Brecht, La Monte Young, and Nam June Paik. Ken Friedman and Larry Miller coordinated this portion of the event.

This rare interview with Maciunas, the founder of Fluxus, took place a few months before his death in 1978. Maciunas discusses his famous chart, "Diagram of Historical Development of Fluxus and other Four Dimensional, Aural, Optic, Olfactory, Epithelial, and Tactile Art Forms," tracing influences ranging from John Cage and Marcel Duchamp to vaudeville and Spike Jones. This work offers invaluable insights into a celebrated artist and the forces that shaped the diverse Fluxus movement.

A document by Larry Miller

This video documentary explores the breadth and diversity of Fluxus. Some Fluxus features performances from Miller's extensive archive, including works by Ay-O, Eric Anderson, George Brecht, Philip Corner, Jean Dupuy, Ken Friedman, Al Hansen, Geoffrey Hendricks, Dick Higgins, Joe Jones, Milan Knizak, Alison Knowles, Larry Miller, Takako Saito, Mieko Shiomi, Yasunao Tone, Yoshi Wada, Ben Vautier, and Robert Watts. Excerpts from Miller's 1978 Interview with George Maciunas are intercut with the performances, providing historical contextualization for this highly influential movement.