Writing
Tomoya Kishida is working as a staffer in a television studio when he hears about the death of his close friend, Aoi Sato. This sparks his recollection of the events in life they shared from meeting at a record store, shooting a short film as part of their university film club, to saying their last goodbyes. Though in love with each other, neither had the courage to confess their feelings before it was too late.
High school student Ami was born through a fertilization technique. Her brother is developmentally challenged and is immature for his age. They go on a trip and when they arrive at a clinic decide to stay with the doctor and his wife.
Four strangers live-stream a staged “perfect” share-house romance until a sexual-assault scandal exposes manipulation, trauma, and the collapse of their performed identities.
Sana (Rina Ono), who was selected as the heroine of the independent film “Super Moon” is denied acting by director Nishi (Ryu Morioka) and loses her confidence. However, she fnds support in the face of her by co-star Rei (Amon Hirai) and regains her conviction, but the shooting fails due to the spread of the new coronavirus infection. After graduating from college, she doesn’t give up on being actress and works hard on acting lessons while working part-time. Meanwhile, shooting of “Super Moon” resumes with the same staff cast as when he was a student, and Sana faces the scene with a certain determination.
When she was young, Yuri lost consciousness after being locked in a sun-heated car. The experience traumatized her. Yuri met Kenji, whose leg had been crippled by bullies. And she decided revenge to the world.
A Japanese omnibus film composed of three short dramas—Good Night Caffeine, Hanabi Cafe, and BREAK—that each center around coffee-themed moments and the personal growth of their characters.
